Screen Print on Arches paper.
Hand-signed by the artist.
Blek Le Rat’s The Homeless (2022) is a screen print on Arches paper that reflects the artist’s long-standing engagement with social realities in urban environments. The composition presents a reclining figure wrapped in a blanket, rendered in stark black stencil against a white background. Beside the figure sits a dog, alert and watchful, while a small rat appears in the foreground—an emblem frequently used by the artist to symbolize invisibility and survival. The minimal setting intensifies the emotional weight of the scene, emphasizing vulnerability, companionship, and marginalization. Through his characteristic visual language, Blek Le Rat transforms a quiet moment into a poignant commentary on homelessness and human dignity.
Blek le Rat (France, 1951) is a pioneering street artist, often hailed as the 'Father of stencil graffiti.' He began stenciling rats on Parisian walls in 1981, symbolizing freedom and the spread of art. His innovative techniques have profoundly influenced urban art, notably inspiring artists like Banksy.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Screen Print on Arches paper.
Hand-signed by the artist.
Blek Le Rat’s The Homeless (2022) is a screen print on Arches paper that reflects the artist’s long-standing engagement with social realities in urban environments. The composition presents a reclining figure wrapped in a blanket, rendered in stark black stencil against a white background. Beside the figure sits a dog, alert and watchful, while a small rat appears in the foreground—an emblem frequently used by the artist to symbolize invisibility and survival. The minimal setting intensifies the emotional weight of the scene, emphasizing vulnerability, companionship, and marginalization. Through his characteristic visual language, Blek Le Rat transforms a quiet moment into a poignant commentary on homelessness and human dignity.
Blek le Rat (France, 1951) is a pioneering street artist, often hailed as the 'Father of stencil graffiti.' He began stenciling rats on Parisian walls in 1981, symbolizing freedom and the spread of art. His innovative techniques have profoundly influenced urban art, notably inspiring artists like Banksy.
Sometimes images have a bigger impact than reality.
- Blek Le Rat
'Blek le Rat', otherwise known as Xavier Prou, is a French postmoderngraffiti and public-space artist. Educated at the prestigious Ecole Nationale Supérieure des Beaux-Arts in Paris, where he studied fine art and architecture, Prou was one of the first (following on from Gérard Zlotykamien) to create stencil paintings on public buildings in the French capital in the 1980s.
Xavier Prou is generally considered to be a pioneer and innovator of the street-art and graffitimovement, and is acknowledged by numerous contemporary artists as a major influence - with British artist Banksy notably stating his admiration for Prou's work.
Prou's painting can be characterized as 'guerilla-art' - emphasizing its unorthodox and underground nature, and he has worked with a variety of mediums throughout his career - such as spray-paint and stencils, canvas painting, photographs, and lithography. Prou's work typically depicts images of pop-culture or historical figures (sometimes including himself) in incongruous or surreal settings, painted in lively, vivid and eye-catching colors. Notable compositions by Xavier Prou include Madonna with Child (Leipzig, 1991), and the Escaping Paris collection of lithographs (New York, 2014). (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.