lithograph in colors, on wove paper, 2000, signed and dated in pencil, numbered, published by the Public art Fund, New York, in very good condition
Jackie and John by Elizabeth Peyton is a lithograph from 2000 that captures an iconic moment between Jacqueline Kennedy and her son, John F. Kennedy Jr. The work, rendered in a muted monochrome palette with touches of blue in the background, evokes a sense of nostalgia and intimate connection. Peyton’s expressive brushstrokes lend the piece a dreamlike quality, with Jackie’s protective arm gently guiding John. The background, marked by fluid strokes of blue and white, suggests a serene, almost ethereal landscape, enhancing the tenderness of the moment. Known for her portrayal of public figures with an intimate, almost personal approach, Peyton brings out the vulnerability and closeness between mother and son. This limited edition lithograph, signed and numbered by the artist and published by the Public Art Fund in New York, showcases Peyton’s unique ability to blend public history with private emotion.
Elizabeth Peyton (USA, 1965) is a contemporary painter celebrated for her intimate portraits of cultural icons, friends, and historical figures. Her work, characterized by its vibrant color palette and delicate brushstrokes, bridges personal and collective memory. Peyton’s depictions of figures like Kurt Cobain and Queen Elizabeth II have redefined portraiture in modern art.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
lithograph in colors, on wove paper, 2000, signed and dated in pencil, numbered, published by the Public art Fund, New York, in very good condition
Jackie and John by Elizabeth Peyton is a lithograph from 2000 that captures an iconic moment between Jacqueline Kennedy and her son, John F. Kennedy Jr. The work, rendered in a muted monochrome palette with touches of blue in the background, evokes a sense of nostalgia and intimate connection. Peyton’s expressive brushstrokes lend the piece a dreamlike quality, with Jackie’s protective arm gently guiding John. The background, marked by fluid strokes of blue and white, suggests a serene, almost ethereal landscape, enhancing the tenderness of the moment. Known for her portrayal of public figures with an intimate, almost personal approach, Peyton brings out the vulnerability and closeness between mother and son. This limited edition lithograph, signed and numbered by the artist and published by the Public Art Fund in New York, showcases Peyton’s unique ability to blend public history with private emotion.
Elizabeth Peyton (USA, 1965) is a contemporary painter celebrated for her intimate portraits of cultural icons, friends, and historical figures. Her work, characterized by its vibrant color palette and delicate brushstrokes, bridges personal and collective memory. Peyton’s depictions of figures like Kurt Cobain and Queen Elizabeth II have redefined portraiture in modern art.
You really need faith in yourself to make art and to stand up for what you believe in.
- Elizabeth Peyton
Elizabeth Peyton is an American painter who specializes in oils and has been popular since the middle of the 1990s. Her contemporary art features idealized and stylized renditions of her friends and paramours as well as monarchs from Europe and pop culture icons. The vast majority of her works have been small-scale portraits, and she claims that her inspiration comes from the work of Robert Mapplethorpe, Alfred Stieglitz and Nadar, all of whom took photographs of those close to them. Her oil works often have glazes that she allows to drip across the work, although she also has produced works in pencil, etching and watercolor. Many of her figures have feminine aspects but are generally ambiguous sexually. She uses photographs as the basis for her paintings and then paints from those. Elizabeth Peyton has also made prints -- monotypes, woodcuts and lithographs -- experimenting with a variety of techniques and different papers for the final product.
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.