Enrico Baj (Italy, 1924–2003) was a visionary artist and writer associated with the Nuclear Art and CoBrA movements. Known for his satirical works, Baj used materials like fabric and found objects to critique authority and societal norms. His vibrant, surrealist-inspired pieces, including his iconic Generals series, continue to captivate with their humor and political edge.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Enrico Baj (Italy, 1924–2003) was a visionary artist and writer associated with the Nuclear Art and CoBrA movements. Known for his satirical works, Baj used materials like fabric and found objects to critique authority and societal norms. His vibrant, surrealist-inspired pieces, including his iconic Generals series, continue to captivate with their humor and political edge.
Only fun can validly oppose the system.
- Enrico Baj
Enrico Baj was an artist whose work spanned a number of fields, including printing, sculpture and painting – Baj was heavily associated with both the surrealist and dada movement; he was also involved with the CoBrA movement and worked alongside fellow progressive artists such as Yves Klein, Marcel Duchamp and the novelist, Umberto Eco. Alongside Asger Jorn, Baj founded the Movimento Nucleare – a reaction from various artists to the use of nuclear power - following the Hiroshima and Nagasaki bombings. Unlike abstract art, this movement was blatantly political; Baj had a long-standing disdain for the militarism of the time and rejected the authorities that ruled – a lot of his early work openly criticised current political affairs. Among his best-known outputs is Generals, a series of bizarre characters that have been made from various found objects including medals and belts.
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.