Frankenthaler, Helen | Causeway, 2001 — available on Composition Gallery

Spit-bite aquatint and soft-ground etching in colors on cream wove paper - Signed in pencil, dated and numbered; unframed

Helen Frankenthaler's Causeway (2001) is a limited edition print created using spit-bite aquatint and soft-ground etching techniques on cream wove paper. This artwork, measuring 71.8 x 95.9 cm, exemplifies Frankenthaler’s celebrated approach to color and abstraction. The composition features a central, expansive form in vibrant shades of pink, orange, and violet, with soft edges blending into surrounding gray tones. Known for her contributions to the Color Field movement, Frankenthaler uses tonal variation to evoke a sense of fluidity and depth, as if inviting the viewer into a contemplative journey. Causeway embodies the artist’s ability to convey emotion and movement through layered, luminous colors.

Helen Frankenthaler (USA, 1928–2011) was a leading abstract painter and a pioneer of the Color Field movement. Known for her innovative 'soak-stain' technique, she applied diluted paint directly onto unprimed canvases, creating luminous, fluid compositions that redefined modern abstraction.

Helen Frankenthaler

Causeway, 2001

Name: Causeway, 2001
SKU: 10574

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Etching and Aquatint

Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.

Edition

Edition of 100

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A really good picture looks as if it's happened at once. It's an immediate image.

- Helen Frankenthaler

Initially creating in the style of abstract expressionism before going on to pioneer the Colour Field movement, Helen Frankenthaler was an iconic, highly influential artist with work spanning across the mediums of painting, sculpture and printmaking. Frankenthaler was initially recognised for her colour-stain technique – the practice of applying heavily diluted oil paint onto an unprimed canvas that had been lay flat on the floor; the practice of laying the canvas flat was inspired by Jackson Pollock. Frankenthaler drew a lot of her inspiration from nature – her works would analyse natural forms and recreate them on the canvas – this, as well as the technique of laying the canvas flat, is exemplified in her most notable painting, Mountains and Sea. Asides from these paintings, Frankenthaler also received acclaim for her printmaking – Madame Butterfly is her most recognised print and was created with the use of 46 woodblocks and a range of 102 different colours. (Artist website)