Frankenthaler, Helen | Day One, 1987 — available on Composition Gallery

color etching and aquatint

Helen Frankenthaler (USA, 1928–2011) was a leading abstract painter and a pioneer of the Color Field movement. Known for her innovative 'soak-stain' technique, she applied diluted paint directly onto unprimed canvases, creating luminous, fluid compositions that redefined modern abstraction.

Helen Frankenthaler

Day One, 1987

Name: Day One, 1987
SKU: 3408

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Etching

EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.

Edition

Edition of 58

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color etching and aquatint

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Ramblas, 1987-1988

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Venice II, 1969-1972

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Orange Hoop, 1965

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Lot's Wife, 1971

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Ochre Dust, 1987

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Tribal Sign, 1987

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Ganymede, 1978

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Guadalupe, 1989

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Skywriting, 1997

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A Slice of t(...), 1969

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White Portal, 1967

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Causeway, 2001

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Variation II(...), 1969

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Crete, 1969-72

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Cedar Hill, 1983

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Ponti, 1973

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Valentine fo(...), 1995

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Flotilla, 2006

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Comet, 1980-82

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Geisha, 2003

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Day One, 1987

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Un poco más, 1987

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Bronze Smoke, 1978

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Spring Veil, 1987

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Soho Dreams, 1987

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A really good picture looks as if it's happened at once. It's an immediate image.

- Helen Frankenthaler

Initially creating in the style of abstract expressionism before going on to pioneer the Colour Field movement, Helen Frankenthaler was an iconic, highly influential artist with work spanning across the mediums of painting, sculpture and printmaking. Frankenthaler was initially recognised for her colour-stain technique – the practice of applying heavily diluted oil paint onto an unprimed canvas that had been lay flat on the floor; the practice of laying the canvas flat was inspired by Jackson Pollock. Frankenthaler drew a lot of her inspiration from nature – her works would analyse natural forms and recreate them on the canvas – this, as well as the technique of laying the canvas flat, is exemplified in her most notable painting, Mountains and Sea. Asides from these paintings, Frankenthaler also received acclaim for her printmaking – Madame Butterfly is her most recognised print and was created with the use of 46 woodblocks and a range of 102 different colours. (Artist website)