Frankenthaler, Helen | Un poco más , 1987 — available on Composition Gallery

Helen Frankenthaler (USA, 1928–2011) was a leading abstract painter and a pioneer of the Color Field movement. Known for her innovative 'soak-stain' technique, she applied diluted paint directly onto unprimed canvases, creating luminous, fluid compositions that redefined modern abstraction.

Helen Frankenthaler

Un poco más , 1987

Name: Un poco más , 1987
SKU: 2916

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Lithograph

LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.

Edition

Edition of 60

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Lot's Wife, 1971

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Ochre Dust, 1987

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Tribal Sign, 1987

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Ganymede, 1978

Limited Edition Print

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Pranzo Itali(...), 1973

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Guadalupe, 1989

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Skywriting, 1997

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A Slice of t(...), 1969

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White Portal, 1967

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Causeway, 2001

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Variation II(...), 1969

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Crete, 1969-72

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Cedar Hill, 1983

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Ponti, 1973

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Valentine fo(...), 1995

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Flotilla, 2006

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Comet, 1980-82

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Geisha, 2003

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Day One, 1987

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Un poco más, 1987

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Bronze Smoke, 1978

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Spring Veil, 1987

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Soho Dreams, 1987

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A really good picture looks as if it's happened at once. It's an immediate image.

- Helen Frankenthaler

Initially creating in the style of abstract expressionism before going on to pioneer the Colour Field movement, Helen Frankenthaler was an iconic, highly influential artist with work spanning across the mediums of painting, sculpture and printmaking. Frankenthaler was initially recognised for her colour-stain technique – the practice of applying heavily diluted oil paint onto an unprimed canvas that had been lay flat on the floor; the practice of laying the canvas flat was inspired by Jackson Pollock. Frankenthaler drew a lot of her inspiration from nature – her works would analyse natural forms and recreate them on the canvas – this, as well as the technique of laying the canvas flat, is exemplified in her most notable painting, Mountains and Sea. Asides from these paintings, Frankenthaler also received acclaim for her printmaking – Madame Butterfly is her most recognised print and was created with the use of 46 woodblocks and a range of 102 different colours. (Artist website)