Frankenthaler, Helen | Solar Imp, 2001 — available on Composition Gallery

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Screenprint in colors, on wove paper. - Literature: Charles Riley p. 191 - Published by Lincoln Center List Poster and Print Program, New York

Solar Imp by Helen Frankenthaler, created in 2001, is a vibrant screenprint that exemplifies the artist’s late-career mastery of color and abstraction. Using broad swathes of orange and yellow layered with gestural splashes of black, red, blue, and green, the work radiates energy and movement. The composition merges spontaneity with subtle structural control, evoking the impression of a luminous burst or solar event. Printed on wove paper and published by the Lincoln Center List Poster and Print Program in New York, this editioned piece (96 of 126, plus artist's proofs) continues Frankenthaler's legacy of lyrical abstraction rooted in the Color Field movement.

Helen Frankenthaler (USA, 1928–2011) was a leading abstract painter and a pioneer of the Color Field movement. Known for her innovative 'soak-stain' technique, she applied diluted paint directly onto unprimed canvases, creating luminous, fluid compositions that redefined modern abstraction.

Helen Frankenthaler

Solar Imp, 2001

Name: Solar Imp, 2001
SKU: 15892

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Screen-print

Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.

Edition

Edition of 126 + 18 AP

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Screenprint in colors, on wove paper. - Literature: Charles Riley p. 191 - Published by Lincoln Center List Poster and Print Program, New York

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A really good picture looks as if it's happened at once. It's an immediate image.

- Helen Frankenthaler

Initially creating in the style of abstract expressionism before going on to pioneer the Colour Field movement, Helen Frankenthaler was an iconic, highly influential artist with work spanning across the mediums of painting, sculpture and printmaking. Frankenthaler was initially recognised for her colour-stain technique – the practice of applying heavily diluted oil paint onto an unprimed canvas that had been lay flat on the floor; the practice of laying the canvas flat was inspired by Jackson Pollock. Frankenthaler drew a lot of her inspiration from nature – her works would analyse natural forms and recreate them on the canvas – this, as well as the technique of laying the canvas flat, is exemplified in her most notable painting, Mountains and Sea. Asides from these paintings, Frankenthaler also received acclaim for her printmaking – Madame Butterfly is her most recognised print and was created with the use of 46 woodblocks and a range of 102 different colours. (Artist website)