Kiki Smith was an artist in residence at Pilchuk Glass School in the summer of 1993. At the end of each session there is an auction of artists and students art work with proceeds to benefit the school. This piece was created during the residency.
1st State Self Portrait by Kiki Smith, created in 1993, is an etching that captures a hauntingly intimate and textured self-portrait. The work, created during Smith’s residency at Pilchuck Glass School, reveals her characteristic style of detailed line work and organic textures. In this print, the face appears weathered and deeply expressive, with an almost spectral quality, as if capturing both the physical and emotional layers of the self. The loose and intricate lines that form the hair and facial features suggest vulnerability and introspection. This piece is a powerful exploration of identity and the human condition, rendered in a minimalistic yet impactful manner.
Kiki Smith (USA, 1954) is a multidisciplinary artist known for her evocative works exploring the human body, nature, and mythology. Utilizing mediums like sculpture, printmaking, and glass, Smith's art often examines themes of transformation and mortality. Her works are featured in major collections, including the MoMA and the Whitney Museum.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
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56 X 76 cm
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Edition of 10
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5,950USD
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●Inventory 8997
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Kiki Smith was an artist in residence at Pilchuk Glass School in the summer of 1993. At the end of each session there is an auction of artists and students art work with proceeds to benefit the school. This piece was created during the residency.
1st State Self Portrait by Kiki Smith, created in 1993, is an etching that captures a hauntingly intimate and textured self-portrait. The work, created during Smith’s residency at Pilchuck Glass School, reveals her characteristic style of detailed line work and organic textures. In this print, the face appears weathered and deeply expressive, with an almost spectral quality, as if capturing both the physical and emotional layers of the self. The loose and intricate lines that form the hair and facial features suggest vulnerability and introspection. This piece is a powerful exploration of identity and the human condition, rendered in a minimalistic yet impactful manner.
Kiki Smith (USA, 1954) is a multidisciplinary artist known for her evocative works exploring the human body, nature, and mythology. Utilizing mediums like sculpture, printmaking, and glass, Smith's art often examines themes of transformation and mortality. Her works are featured in major collections, including the MoMA and the Whitney Museum.
I think a lot of making art is listening to yourself.
- Kiki Smith
Acclaimed for her unflinching exploration and interpretation of mortality and the human body, Kiki Smith is an artist whose work often engenders the spirit of Feminism. Among Smith’s most notable works is her Virgin Mary sculpture, an almost life-size wax depiction of the venerated Christian figure; displayed without skin – with the exception of her head, breasts, hands and genitalia – the figure is not anatomically discernable from that of any other female figure and Smith is confronting the viewer with the question of: was Mary simply human, or is the female body sacred? As a member of the Colab artist collective, Smith was inspired by their radical use of unconventional materials and political leanings, printing numerous posters throughout the early 1980’s containing political statements; Smith has also worked with tapestries, noting that they give her the opportunity to create on a larger scale and work with a wider range of colour.
In 1981, Patti Astor opened the first art gallery in New York City's East Village, helping to launch the careers of various artists and musicians. The gallery started small but quickly gained popularity, contributing to the emergence of art movements such as Neo-Expressionism and Street Art in the area. The East Village became a hub for these new artistic expressions. However, the gallery closed in 1985 due to waning interest.