// Chromoplastique 1025 by Luis Tomasello is a captivating example of geometric abstraction, blending subtlety with optical illusion. This wooden sculpture is composed of evenly spaced rectangular elements that project from a white base, each piece casting delicate shadows. The faint hints of pink glow at the edges of the forms add a sense of depth and movement, as the artwork subtly interacts with light and the viewer’s perspective. Known for his exploration of kinetic and optical art, Tomasello plays with perception, creating a work that appears to shift and transform as one moves around it. This piece embodies the artist’s dedication to light, shadow, and spatial illusion.
Luis Tomasello (Argentina, 1915–2014) was an Argentine artist renowned for his contributions to kinetic and optical art. His signature 'Atmosphères chromoplastiques' series features white reliefs that manipulate light and shadow to create dynamic visual effects. Tomasello's innovative use of color reflection and geometric forms has been exhibited internationally, solidifying his legacy in contemporary art.
WoodWood is one of the most ancient and versatile materials used in creating art. It has served as a base for paintings, brush handles, pens, and pencils, as well as for easels, wood engraving, woodcut, woodblock printing, and sculpting. Various types of wood, such as oak, maple, and pine, are commonly used in these artistic applications.
Size
Inches
Centimeters
40 X 40 X 4.5 cm
Edition
Edition of 40
Price
USD
EUR
GBP
CHF
4,000EUR
?
+ VAT/import Duties (if applicable)
Authenticity Guaranteed
Insured Shipping
Online Since 2005
Share
●Inventory 2571
●Signed
●Comes with gallery invoice and certificate
●Any questions?
// Chromoplastique 1025 by Luis Tomasello is a captivating example of geometric abstraction, blending subtlety with optical illusion. This wooden sculpture is composed of evenly spaced rectangular elements that project from a white base, each piece casting delicate shadows. The faint hints of pink glow at the edges of the forms add a sense of depth and movement, as the artwork subtly interacts with light and the viewer’s perspective. Known for his exploration of kinetic and optical art, Tomasello plays with perception, creating a work that appears to shift and transform as one moves around it. This piece embodies the artist’s dedication to light, shadow, and spatial illusion.
Luis Tomasello (Argentina, 1915–2014) was an Argentine artist renowned for his contributions to kinetic and optical art. His signature 'Atmosphères chromoplastiques' series features white reliefs that manipulate light and shadow to create dynamic visual effects. Tomasello's innovative use of color reflection and geometric forms has been exhibited internationally, solidifying his legacy in contemporary art.
I don’t do anything. The light does it for me.
- Luis Tomasello
Luis Tomasello (b. 1915 Argentina, d. 2014 France) was an Argentine-born artist best known for his contributions to kinetic art and Op art. His work is celebrated for its innovative exploration of light, shadow, and color, often creating mesmerizing visual effects. Tomasello's signature style involved the use of geometric abstraction and carefully placed cubes or reliefs on surfaces to manipulate light and create dynamic, changing patterns as the viewer moves. Influenced by Constructivism and Concrete art, Tomasello's works are both visually captivating and intellectually stimulating, engaging the viewer in an active experience of perception. His art has been exhibited globally, solidifying his position as a significant figure in the development of kinetic and optical art. (Artist website)
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.