In wooden frame. Actual work is 50cm x 50cm x 2cm; medium - paper, signature in pencil at the front
Sin título 2 by Luis Tomasello, created in 2012, is a mixed-media piece that emphasizes geometric precision and subtle optical effects. Four white vertical structures, each with an inner edge lined in alternating green and blue, project slightly from the surface, creating a play of light and shadow across the composition. The minimalistic design and careful arrangement of colors invite viewers to observe how light interacts with form, generating shifting shadows and subtle color reflections. This work demonstrates Tomasello's dedication to kinetic and optical art, where movement and perception are activated through the viewer's engagement with the piece.
Luis Tomasello (Argentina, 1915–2014) was an Argentine artist renowned for his contributions to kinetic and optical art. His signature 'Atmosphères chromoplastiques' series features white reliefs that manipulate light and shadow to create dynamic visual effects. Tomasello's innovative use of color reflection and geometric forms has been exhibited internationally, solidifying his legacy in contemporary art.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Size
Inches
Centimeters
58 X 58 X 5 cm
Edition
Edition of 50
Price
USD
EUR
GBP
CHF
2,200EUR
?
+ VAT/import Duties (if applicable)
Authenticity Guaranteed
Insured Shipping
Online Since 2005
Share
●Inventory 8624
●Signed
●Comes with gallery invoice and certificate
●Any questions?
In wooden frame. Actual work is 50cm x 50cm x 2cm; medium - paper, signature in pencil at the front
Sin título 2 by Luis Tomasello, created in 2012, is a mixed-media piece that emphasizes geometric precision and subtle optical effects. Four white vertical structures, each with an inner edge lined in alternating green and blue, project slightly from the surface, creating a play of light and shadow across the composition. The minimalistic design and careful arrangement of colors invite viewers to observe how light interacts with form, generating shifting shadows and subtle color reflections. This work demonstrates Tomasello's dedication to kinetic and optical art, where movement and perception are activated through the viewer's engagement with the piece.
Luis Tomasello (Argentina, 1915–2014) was an Argentine artist renowned for his contributions to kinetic and optical art. His signature 'Atmosphères chromoplastiques' series features white reliefs that manipulate light and shadow to create dynamic visual effects. Tomasello's innovative use of color reflection and geometric forms has been exhibited internationally, solidifying his legacy in contemporary art.
I don’t do anything. The light does it for me.
- Luis Tomasello
Luis Tomasello (b. 1915 Argentina, d. 2014 France) was an Argentine-born artist best known for his contributions to kinetic art and Op art. His work is celebrated for its innovative exploration of light, shadow, and color, often creating mesmerizing visual effects. Tomasello's signature style involved the use of geometric abstraction and carefully placed cubes or reliefs on surfaces to manipulate light and create dynamic, changing patterns as the viewer moves. Influenced by Constructivism and Concrete art, Tomasello's works are both visually captivating and intellectually stimulating, engaging the viewer in an active experience of perception. His art has been exhibited globally, solidifying his position as a significant figure in the development of kinetic and optical art. (Artist website)
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.