Cuadrado y Curvas Virtuales, from Sintesis series - Screenprinted Plexiglas, plastic and metal - signed and numbered on a label affixed to the reverse.
Cuadrado y Curvas Virtuales by Rafael Jesús Soto, created in 1979, is a mixed-media piece from his Síntesis series, exemplifying his mastery of kinetic and optical art. This work features a screen-printed Plexiglas panel with a grid of undulating black lines that create a dynamic, wave-like effect across the surface. At the center, a bright yellow square emerges, offering a focal point that contrasts sharply with the surrounding lines. The juxtaposition of the static square against the fluid, curving lines produces an optical illusion, making the yellow square appear to pulsate or move as the viewer shifts perspective. Crafted with Plexiglas, plastic, and metal, this signed and numbered artwork embodies Soto's exploration of perception, movement, and visual tension.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Cuadrado y Curvas Virtuales, from Sintesis series - Screenprinted Plexiglas, plastic and metal - signed and numbered on a label affixed to the reverse.
Cuadrado y Curvas Virtuales by Rafael Jesús Soto, created in 1979, is a mixed-media piece from his Síntesis series, exemplifying his mastery of kinetic and optical art. This work features a screen-printed Plexiglas panel with a grid of undulating black lines that create a dynamic, wave-like effect across the surface. At the center, a bright yellow square emerges, offering a focal point that contrasts sharply with the surrounding lines. The juxtaposition of the static square against the fluid, curving lines produces an optical illusion, making the yellow square appear to pulsate or move as the viewer shifts perspective. Crafted with Plexiglas, plastic, and metal, this signed and numbered artwork embodies Soto's exploration of perception, movement, and visual tension.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.