Screenrpint on plexiglass and screenprint on mirror - Signature and number on the back.
Mirroire by Jesús Rafael Soto, created in 2005, is a captivating glass sculpture that showcases the artist's mastery of kinetic and optical art. This piece features a central mirror surrounded by a plexiglass frame adorned with a screen-printed pattern of blue and black lines radiating outward. The lines create a sense of movement and depth, as they seem to converge and diverge depending on the viewer’s position, enhancing the kinetic effect Soto is known for. The reflective surface in the center intensifies this interaction, as it incorporates the viewer's image into the optical play, making the artwork dynamic and interactive. Measuring 50 x 50 x 5 cm, each piece is signed and numbered on the back, reinforcing Soto’s unique ability to blur the lines between viewer and artwork through perceptual engagement.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
MirrorGlass is a transparent solid that varies in composition depending on the type. Artists use different types of glass to create art forms such as stained glass, blown glass, and various decorated pieces. Glass can be cut, textured, overlaid, engraved, and shaped in many ways to produce intricate and beautiful works of art.
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50 X 50 X 5 cm
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Edition of 99
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Screenrpint on plexiglass and screenprint on mirror - Signature and number on the back.
Mirroire by Jesús Rafael Soto, created in 2005, is a captivating glass sculpture that showcases the artist's mastery of kinetic and optical art. This piece features a central mirror surrounded by a plexiglass frame adorned with a screen-printed pattern of blue and black lines radiating outward. The lines create a sense of movement and depth, as they seem to converge and diverge depending on the viewer’s position, enhancing the kinetic effect Soto is known for. The reflective surface in the center intensifies this interaction, as it incorporates the viewer's image into the optical play, making the artwork dynamic and interactive. Measuring 50 x 50 x 5 cm, each piece is signed and numbered on the back, reinforcing Soto’s unique ability to blur the lines between viewer and artwork through perceptual engagement.
Jesús Rafael Soto (Venezuela, 1923–2005) was a pioneering figure in kinetic and op art. Renowned for his 'Penetrables' series, he created immersive installations that invited viewer interaction, blurring the lines between art and observer. Soto's work explored movement, perception, and the dematerialization of the art object, leaving a lasting impact on contemporary art.
Art is not expression; art is knowledge.
- Rafael Jesus Soto
Celebrated for his contributions to both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto worked with a range of materials to create his trademark sculptural reliefs; his works study the interplay between colours as well as the dynamic between foreground and background, both of which often result in a final optical illusion effect, as exemplified in his acclaimed Vibration Blanc et Jaune work. Soto began his artistic career as a post-impressionist painter, but later discovered the methods and teachings of Piet Mondrian, from whom he gained much of his inspiration. Alongside his notable reliefs, Soto created a number of interactive sculptures that allowed direct audience participation – Penetrables is among his most successful works of this kind, of which the artist has remarked ‘’when you enter a penetrable, you have the sensation of being in a light swirl, a total plenitude of vibrations.’’ (Artist website)
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.