Softground etching with drypoint on Rives BFK paper
- Published by Crown Point Press, San Francisco
- Plate: 45.4 by 60 cm 17 by 23 in; Sheet: 67 by 102 cm 26 by 40¼ in
Tom Wesselmann’s Lulu (1982) is a vibrant lithograph featuring a stylized portrait of a woman with red hair, reclining against a richly colored background. Her gaze is direct yet relaxed, and her facial features are rendered with smooth, minimalist shapes, characteristic of Wesselmann’s pop art style. Bright floral elements frame her face, enhancing the composition's sensual and bold aesthetic. Published by the Metropolitan Opera and Circle Gallery in New York, this limited edition lithograph was produced in an edition of 250 and is hand-signed by the artist. Measuring 23 x 30 cm, Lulu captures the essence of Wesselmann’s fascination with beauty and femininity, blending simplicity with striking color contrasts.
Richard Diebenkorn (USA, 1922–1993) was a celebrated painter and printmaker, known for his transition from abstract expressionism to figurative work and back to abstraction. His Ocean Park series, inspired by the landscapes of California, features luminous, geometric compositions. Diebenkorn’s art bridges abstraction and representation, leaving a profound impact on modern art.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Softground etching with drypoint on Rives BFK paper
- Published by Crown Point Press, San Francisco
- Plate: 45.4 by 60 cm 17 by 23 in; Sheet: 67 by 102 cm 26 by 40¼ in
Tom Wesselmann’s Lulu (1982) is a vibrant lithograph featuring a stylized portrait of a woman with red hair, reclining against a richly colored background. Her gaze is direct yet relaxed, and her facial features are rendered with smooth, minimalist shapes, characteristic of Wesselmann’s pop art style. Bright floral elements frame her face, enhancing the composition's sensual and bold aesthetic. Published by the Metropolitan Opera and Circle Gallery in New York, this limited edition lithograph was produced in an edition of 250 and is hand-signed by the artist. Measuring 23 x 30 cm, Lulu captures the essence of Wesselmann’s fascination with beauty and femininity, blending simplicity with striking color contrasts.
Richard Diebenkorn (USA, 1922–1993) was a celebrated painter and printmaker, known for his transition from abstract expressionism to figurative work and back to abstraction. His Ocean Park series, inspired by the landscapes of California, features luminous, geometric compositions. Diebenkorn’s art bridges abstraction and representation, leaving a profound impact on modern art.
Mistakes can't be erased, but they move you from your present position.
- Richard Diebenkorn
Arguably best known for his Ocean Park paintings, Richard Diebenkorn was a painter and printmaker with early roots in abstract expressionism and a later involvement with the Bay Area Figurative Movement throughout the 1950’s and 1960’s. His move to figuration saw works such as Girl On a Terrace come to light – he employed a range of soft, subtle colours to create his simple depictions of life at the time. Diebenkorn explored figuration for a decade or so before he returned to his abstraction origins – this is when he began to compile the Ocean Park series, a selection of works that, while abstract, still managed to capture the essence of the landscape and the times he was living among. While it could be stated that his artistic career was divided into three different segments – abstraction, figuration and abstraction once again – Diebenkorn was not afraid to mix the two, and his portraits were usually a striking blend of the two. His work has frequently been compared to that of Willem De Kooning – an artist that Diebenkorn has often cited as an inspiration. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.