Screenprint in color on wove paper
- Signed, editioned, titled, and dated in pencil along lower edge
Blues by Robert Cottingham, created in 2009, is a limited edition screen-print that captures the vintage charm of an aging neon sign. The sign, worn and weathered, features the word BLUES in bold orange letters set against a green background, with parts of the paint peeling off, adding to the nostalgic and gritty feel of the piece. Cottingham's precise attention to detail, such as the play of light and shadow on the sign and the reflective surfaces, gives the artwork a sense of realism while preserving the iconic nature of American urban signage. The deep blue background enhances the contrast and highlights the sign's retro aesthetic, making it both visually striking and evocative of a bygone era. This screen-print is signed, titled, dated, and numbered in pencil along the lower edge and is part of a limited edition of 100, with an additional 10 HC (hors commerce) prints.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Screenprint in color on wove paper
- Signed, editioned, titled, and dated in pencil along lower edge
Blues by Robert Cottingham, created in 2009, is a limited edition screen-print that captures the vintage charm of an aging neon sign. The sign, worn and weathered, features the word BLUES in bold orange letters set against a green background, with parts of the paint peeling off, adding to the nostalgic and gritty feel of the piece. Cottingham's precise attention to detail, such as the play of light and shadow on the sign and the reflective surfaces, gives the artwork a sense of realism while preserving the iconic nature of American urban signage. The deep blue background enhances the contrast and highlights the sign's retro aesthetic, making it both visually striking and evocative of a bygone era. This screen-print is signed, titled, dated, and numbered in pencil along the lower edge and is part of a limited edition of 100, with an additional 10 HC (hors commerce) prints.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
I was restless. I had maybe two paintings under my belt, and they were small.
- Robert Cottingham
Robert Cottingham was born in Brooklyn, New York. He studied art first at the Brooklyn Pratt Institute and later at the Arts Center College of Design in Pasadena. His early career as a graphic designer led to an interest in signage and lettering, while his admiration for another New York artist Edward Hopper influenced his use of light and shade to create mood. He is one of the most important photorealist painters, a style which developed during the 1960s, having assimilated photography into his paintings. He is particularly known for works depicting urban America, including signs, storefronts and buildings. Cottingham uses his camera as a sketch book and photographs of his subjects as a base for his art, expanding on the images rather than merely replicating them. For him the letters and numbers of commercial advertisements and signs represent a visual language illustrating the American way of life. Everyday images are transformed by the artist, using a grid method in which he projects a photographic image onto paper, creating a drawing to determine the proportion and size most suited to the image. This is then followed up by paintings in watercolor or gouache and sometimes prints. Often he will produce several re-workings of the original image in different media including lithograph and silk screen. Robert Cottingham was elected to the National Academy of Design, first as an associate in 1990, then as a full Academician in 1994. His works can be found in every important gallery in America and a retrospective of his work was exhibited by the Smithsonianin 1998. More recently his work has derived from the components in machines such as cameras and typewriters, using paper models to determine the objects' geographic angles. In 2012 he completed a series of lithographs depicting ‘An American Alphabet’ and featuring individual letters of the alphabet taken from commercial signs.
Hyperrealism is a genre of sculpture and painting that closely resembles high-resolution photographs. It is an evolution of Photorealism and is often applied to an independent art style or movement that became prominent in Europe and the United States in the early 2000s. Hyperrealist artists focus on extreme detail and precision, creating works that are often indistinguishable from real-life images.