Offset lithograph in colors on wove paper.
From the limited unnumbered edition of 1000.
Signed in pencil.
Robert Cottingham’s Art (1973) is a striking offset lithograph that exemplifies his mastery of photorealism and his fascination with urban signage. The artwork presents a close-up of a vintage marquee sign spelling out the word “ART,” with bold three-dimensional letters in green, yellow, and white set against a vibrant red background. Cottingham meticulously captures the interplay of light and shadow, emphasizing the reflective surfaces, neon tubing, and structural details of the sign. The composition is both nostalgic and dynamic, celebrating American commercial typography and the visual language of cityscapes. Created in a limited edition of 1000, this piece showcases Cottingham’s ability to transform ordinary urban elements into compelling works of art.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
Offset PrintOffset lithography is a printing technique where the inked image is first transferred (offset) from a plate to a rubber blanket and then to the printing surface. This method combines the lithographic process, which relies on the repulsion of water and oil, to keep non-printing areas ink-free by attracting a water-based film. Offset lithography was originally developed to reduce costs in reproducing artwork and is widely used for high-volume printing due to its efficiency and ability to produce sharp, consistent images.
Offset lithograph in colors on wove paper.
From the limited unnumbered edition of 1000.
Signed in pencil.
Robert Cottingham’s Art (1973) is a striking offset lithograph that exemplifies his mastery of photorealism and his fascination with urban signage. The artwork presents a close-up of a vintage marquee sign spelling out the word “ART,” with bold three-dimensional letters in green, yellow, and white set against a vibrant red background. Cottingham meticulously captures the interplay of light and shadow, emphasizing the reflective surfaces, neon tubing, and structural details of the sign. The composition is both nostalgic and dynamic, celebrating American commercial typography and the visual language of cityscapes. Created in a limited edition of 1000, this piece showcases Cottingham’s ability to transform ordinary urban elements into compelling works of art.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
I was restless. I had maybe two paintings under my belt, and they were small.
- Robert Cottingham
Robert Cottingham was born in Brooklyn, New York. He studied art first at the Brooklyn Pratt Institute and later at the Arts Center College of Design in Pasadena. His early career as a graphic designer led to an interest in signage and lettering, while his admiration for another New York artist Edward Hopper influenced his use of light and shade to create mood. He is one of the most important photorealist painters, a style which developed during the 1960s, having assimilated photography into his paintings. He is particularly known for works depicting urban America, including signs, storefronts and buildings. Cottingham uses his camera as a sketch book and photographs of his subjects as a base for his art, expanding on the images rather than merely replicating them. For him the letters and numbers of commercial advertisements and signs represent a visual language illustrating the American way of life. Everyday images are transformed by the artist, using a grid method in which he projects a photographic image onto paper, creating a drawing to determine the proportion and size most suited to the image. This is then followed up by paintings in watercolor or gouache and sometimes prints. Often he will produce several re-workings of the original image in different media including lithograph and silk screen. Robert Cottingham was elected to the National Academy of Design, first as an associate in 1990, then as a full Academician in 1994. His works can be found in every important gallery in America and a retrospective of his work was exhibited by the Smithsonianin 1998. More recently his work has derived from the components in machines such as cameras and typewriters, using paper models to determine the objects' geographic angles. In 2012 he completed a series of lithographs depicting ‘An American Alphabet’ and featuring individual letters of the alphabet taken from commercial signs.
Hyperrealism is a genre of sculpture and painting that closely resembles high-resolution photographs. It is an evolution of Photorealism and is often applied to an independent art style or movement that became prominent in Europe and the United States in the early 2000s. Hyperrealist artists focus on extreme detail and precision, creating works that are often indistinguishable from real-life images.