Unique Enamel on Aluminum Panel - Unsigned - Public Installation - In very good condition - Part of a twelve-panel installation installed at the Union Station in Hartford, Conn.
Robert Cottingham’s Reading Lines (1987) is a striking example of his fascination with Americana and vintage signage, executed in enamel on an aluminum panel. This unique piece, originally part of a twelve-panel public installation at Union Station in Hartford, Connecticut, displays the iconic Reading Lines logo in a bold black diamond with yellow text, set against a rich green background. The composition is bordered by diagonal black stripes, enhancing its visual strength and adding an industrial feel. Cottingham’s focus on typography and American transportation icons captures the nostalgia associated with mid-20th-century railroads, celebrating their role in shaping American industry and culture. His precise use of color and form transforms this signage into a statement on design and history, immortalizing a piece of railroad heritage.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Unique Enamel on Aluminum Panel - Unsigned - Public Installation - In very good condition - Part of a twelve-panel installation installed at the Union Station in Hartford, Conn.
Robert Cottingham’s Reading Lines (1987) is a striking example of his fascination with Americana and vintage signage, executed in enamel on an aluminum panel. This unique piece, originally part of a twelve-panel public installation at Union Station in Hartford, Connecticut, displays the iconic Reading Lines logo in a bold black diamond with yellow text, set against a rich green background. The composition is bordered by diagonal black stripes, enhancing its visual strength and adding an industrial feel. Cottingham’s focus on typography and American transportation icons captures the nostalgia associated with mid-20th-century railroads, celebrating their role in shaping American industry and culture. His precise use of color and form transforms this signage into a statement on design and history, immortalizing a piece of railroad heritage.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
I was restless. I had maybe two paintings under my belt, and they were small.
- Robert Cottingham
Robert Cottingham was born in Brooklyn, New York. He studied art first at the Brooklyn Pratt Institute and later at the Arts Center College of Design in Pasadena. His early career as a graphic designer led to an interest in signage and lettering, while his admiration for another New York artist Edward Hopper influenced his use of light and shade to create mood. He is one of the most important photorealist painters, a style which developed during the 1960s, having assimilated photography into his paintings. He is particularly known for works depicting urban America, including signs, storefronts and buildings. Cottingham uses his camera as a sketch book and photographs of his subjects as a base for his art, expanding on the images rather than merely replicating them. For him the letters and numbers of commercial advertisements and signs represent a visual language illustrating the American way of life. Everyday images are transformed by the artist, using a grid method in which he projects a photographic image onto paper, creating a drawing to determine the proportion and size most suited to the image. This is then followed up by paintings in watercolor or gouache and sometimes prints. Often he will produce several re-workings of the original image in different media including lithograph and silk screen. Robert Cottingham was elected to the National Academy of Design, first as an associate in 1990, then as a full Academician in 1994. His works can be found in every important gallery in America and a retrospective of his work was exhibited by the Smithsonianin 1998. More recently his work has derived from the components in machines such as cameras and typewriters, using paper models to determine the objects' geographic angles. In 2012 he completed a series of lithographs depicting ‘An American Alphabet’ and featuring individual letters of the alphabet taken from commercial signs.
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.