Lithograph on Rives BFK paper.
Signed and numbered in pencil.
Published by Tandem Press, Madison, Wisconsin, with their blindstamp; printed by Andy Rubin.
A striking lithograph from Robert Cottingham's acclaimed American Alphabet suite, L captures the luminous poetry of American commercial signage with photorealist precision. The composition isolates a neon cursive letter L against deep blue-black three-dimensional block forms, its cream and yellow tube tracing an elegant arc against a lavender-pink sky. Cottingham's forensic attention to the interplay of light, colour and typographic form transforms a vernacular fragment into a meditation on the visual culture of the American streetscape.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Lithograph on Rives BFK paper.
Signed and numbered in pencil.
Published by Tandem Press, Madison, Wisconsin, with their blindstamp; printed by Andy Rubin.
A striking lithograph from Robert Cottingham's acclaimed American Alphabet suite, L captures the luminous poetry of American commercial signage with photorealist precision. The composition isolates a neon cursive letter L against deep blue-black three-dimensional block forms, its cream and yellow tube tracing an elegant arc against a lavender-pink sky. Cottingham's forensic attention to the interplay of light, colour and typographic form transforms a vernacular fragment into a meditation on the visual culture of the American streetscape.
Robert Cottingham (USA, 1935) is a renowned painter and printmaker celebrated for his photorealistic depictions of urban American landscapes, particularly neon signs, movie marquees, and storefronts. His work captures the essence of mid-20th-century Americana, blending meticulous detail with a nostalgic appreciation for everyday urban scenes.
I was restless. I had maybe two paintings under my belt, and they were small.
- Robert Cottingham
Robert Cottingham was born in Brooklyn, New York. He studied art first at the Brooklyn Pratt Institute and later at the Arts Center College of Design in Pasadena. His early career as a graphic designer led to an interest in signage and lettering, while his admiration for another New York artist Edward Hopper influenced his use of light and shade to create mood. He is one of the most important photorealist painters, a style which developed during the 1960s, having assimilated photography into his paintings. He is particularly known for works depicting urban America, including signs, storefronts and buildings. Cottingham uses his camera as a sketch book and photographs of his subjects as a base for his art, expanding on the images rather than merely replicating them. For him the letters and numbers of commercial advertisements and signs represent a visual language illustrating the American way of life. Everyday images are transformed by the artist, using a grid method in which he projects a photographic image onto paper, creating a drawing to determine the proportion and size most suited to the image. This is then followed up by paintings in watercolor or gouache and sometimes prints. Often he will produce several re-workings of the original image in different media including lithograph and silk screen. Robert Cottingham was elected to the National Academy of Design, first as an associate in 1990, then as a full Academician in 1994. His works can be found in every important gallery in America and a retrospective of his work was exhibited by the Smithsonianin 1998. More recently his work has derived from the components in machines such as cameras and typewriters, using paper models to determine the objects' geographic angles. In 2012 he completed a series of lithographs depicting ‘An American Alphabet’ and featuring individual letters of the alphabet taken from commercial signs.
Photorealism is a genre of art or artistic movement that involves drawing, painting, and other graphic media in which the artist carefully studies a photograph and attempts to reproduce it as realistically as possible in another medium. While the term can broadly describe any artwork created in this manner, it specifically refers to a group of painters and paintings in the U.S. art movement that emerged in the late 1960s and early 1970s.