Executed in 1989, this black-and-white mixed media work arranges bold abstract forms across a grid of panels with Cubist energy and graphic assurance. Architectural shapes jostle alongside undulating sea lines and swooping curves, punctuated by fields of dotted texture that animate the surface with rhythmic variety. The initials D.H. inscribed at the lower right anchor the composition in Hockney's distinctive hand. The work distils the spirit of a coastal setting into a dynamic interplay of line, pattern, and structure, demonstrating Hockney's restless capacity to reinvent his visual language across media and scale.
Vik Muniz (Brazil, 1961) is a celebrated contemporary artist known for his innovative use of unconventional materials like chocolate, garbage, and thread. He recreates iconic images with these mediums, blurring the line between high art and everyday objects. Muniz’s works explore perception, memory, and the relationship between art and reality.
PhotographA photograph is an image captured with a camera. Traditionally, photographs were made by exposing film and then developing the image on light-sensitive paper using chemicals. Today, photographs can also be captured digitally and printed or displayed electronically. The process requires a camera, whether film or digital, and a photographer.
Size
Inches
Centimeters
60 X 50 cm
Edition
Edition of 6
Price
USD
EUR
GBP
CHF
25,000EUR
?
+ VAT/import Duties (if applicable)
Authenticity Guaranteed
Insured Shipping
Online Since 2005
Share
●Inventory 17656
●Signed
●Comes with gallery invoice and certificate
●Any questions?
Portfolio of 21 photographs.
Executed in 1989, this black-and-white mixed media work arranges bold abstract forms across a grid of panels with Cubist energy and graphic assurance. Architectural shapes jostle alongside undulating sea lines and swooping curves, punctuated by fields of dotted texture that animate the surface with rhythmic variety. The initials D.H. inscribed at the lower right anchor the composition in Hockney's distinctive hand. The work distils the spirit of a coastal setting into a dynamic interplay of line, pattern, and structure, demonstrating Hockney's restless capacity to reinvent his visual language across media and scale.
Vik Muniz (Brazil, 1961) is a celebrated contemporary artist known for his innovative use of unconventional materials like chocolate, garbage, and thread. He recreates iconic images with these mediums, blurring the line between high art and everyday objects. Muniz’s works explore perception, memory, and the relationship between art and reality.
The great challenge is how to make smart, intelligent art that can speak to everybody.
- Vik Muniz
Vik Muniz is a photographer and artist from Brazil. He was originally a sculptor, but grew increasingly interested in the artistic photographs that were being taken of his work. Vik Muniz now focuses his artistic talents completely on photography, and uses a number of unconventional items such as diamonds, garbage and chocolate syrup to create images that depict certain events in history and pop culture. Vik Muniz got his start in art in a rather unique way. He was working in advertising as a teenager, and on his way back from a formal gala, he tried to break up a street fight. One of the the men accidentally shot him in the leg, and paid Muniz not to press charges against him. Vik Muniz then moved to New York, where he worked in an art studio his friend lent him and began sculpting. Vik Muniz is very popular with art enthusiasts, and his Rio de Janeiro's MAM was second in attendance only to Picasso's exhibits. Vik Muniz was also part of the documentary Wasteland, where the artwork he'd created in the garbage dumps outside of Rio de Janeiro was featured. The movie was nominated for an Academy Award. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.