Original lithograph on paper - Limited edition of 199 - In Excellent condition - Hand signed by Wang Guangyi
Face of the Believer by Wang Guangyi is a lithograph that captures the essence of Chinese socialist realism with a modern pop art sensibility. Created in 2003, this limited edition print features a stylized portrait of a young woman in a military uniform, set against a radiant background of red and yellow rays emanating from her. The composition, with its bold use of primary colors and strong contrast, recalls propaganda art, evoking themes of patriotism and ideological conviction. The woman’s confident expression and the repetitive motif of text across the rays contribute to the work's sense of unity and intensity. Guangyi is known for critiquing and recontextualizing cultural symbols, and this piece exemplifies his exploration of belief systems, collective identity, and the power of visual symbols in shaping societal values.
Wang Guangyi (China, 1957) is a Chinese artist renowned for his 'Great Criticism' series, which juxtaposes Cultural Revolution propaganda with Western brand logos, critiquing consumerism and political ideology. A leading figure in China's Political Pop movement, his work has been exhibited globally, including at the Venice Biennale.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Original lithograph on paper - Limited edition of 199 - In Excellent condition - Hand signed by Wang Guangyi
Face of the Believer by Wang Guangyi is a lithograph that captures the essence of Chinese socialist realism with a modern pop art sensibility. Created in 2003, this limited edition print features a stylized portrait of a young woman in a military uniform, set against a radiant background of red and yellow rays emanating from her. The composition, with its bold use of primary colors and strong contrast, recalls propaganda art, evoking themes of patriotism and ideological conviction. The woman’s confident expression and the repetitive motif of text across the rays contribute to the work's sense of unity and intensity. Guangyi is known for critiquing and recontextualizing cultural symbols, and this piece exemplifies his exploration of belief systems, collective identity, and the power of visual symbols in shaping societal values.
Wang Guangyi (China, 1957) is a Chinese artist renowned for his 'Great Criticism' series, which juxtaposes Cultural Revolution propaganda with Western brand logos, critiquing consumerism and political ideology. A leading figure in China's Political Pop movement, his work has been exhibited globally, including at the Venice Biennale.
Becoming an artist was the only thing I wanted to do; it was my only hope—so I persevered.
- Wang Guangyi
Wang Guangyi (b. 1957 China) is a prominent Chinese contemporary artist, best known for hisPolitical Pop series, which combines elements of Chinese socialist realism with Western Pop Art. His work often critiques the intersection of consumer culture and political propaganda, reflecting on the impact of globalization on Chinese society. Wang's most famous works include paintings that juxtapose iconic images of Chinese communist leaders and revolutionary symbols with logos of Western consumer brands like Coca-Cola and Marlboro, creating a dialogue between ideological control and consumerism. His use of bold colors and graphic compositions draws from both propaganda art and commercial advertising, making his work a commentary on the fusion of politics and consumer culture in the modern world. Wang Guangyi is considered a key figure in the Chinese avant-garde movement, and his work has been exhibited internationally, contributing significantly to the discourse on contemporary Chinese art. (Artist website)
Political Pop was an art movement that emerged in China during the 1980s, blending the Pop Art style of Western countries with the socialist realism of China. This movement arose during a time of rapid social and political change in China, as artists sought to create works that questioned and critiqued these cultural shifts. Political Pop often juxtaposed iconic images from Chinese propaganda with Western consumer culture, highlighting the tensions between tradition and modernization.