Mario Merz

Mario Merz (Italy, 1925–2003) was a central figure in the Arte Povera movement, known for his use of everyday materials like glass, neon, and organic elements. His iconic igloos and Fibonacci sequences explore themes of nature, time, and space. Merz's work redefined contemporary art by blending conceptual ideas with tactile forms.

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Senza titolo

Mario Merz

Senza titolo, 1991

Limited Edition Print

Mixed Media

EUR 1,600

Ohne Titel

Mario Merz

Ohne Titel

Limited Edition Print

Lithograph

Currently Not Available

No sold works to show.

Conceptual Art is a sounding instrument between printed words, luminous writings, and letters scrawled in a hasty nervous instinctive calligraphy.
- Mario Merz
Mario Merz was an Italian artist who began drawing during the Second World War. He and his wife, Marisa Merz, were connected with the growth of Arte Povera. He cast aside the subjectivity of abstract expressionism and pursued instead the opportunities associated with the outdoors. As with many artists of the time, Mario Merz used mixed media in a variety of ways. For example, starting in the mid 1960s, he began exploring the ways in which life could transmit energy to inorganic material, and so he produced a number of works showing neon lights moving through such mundane objects as a raincoat or an umbrella. Starting in 1969, he started incorporating the Fibonacci sequence in many of his works as a symbol of the basic principles of growth and creation. One of Merz's most famous works is an installation of the Fibonacci numbers (a series in which any number is the sum of the two previous numbers: 1, 1, 2, 3, 5 and so on) at the Centre for International Light, located in Unna, Germany.

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What is Arte Povera? Artwork by Antoni Tapies

What is Arte Povera?

A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.

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Est. 2005 — twenty years of collecting, online.