
What is Neo-Geo?
Known as Neo-Geo for short, this movement uses geometric objects and shapes to create abstract artwork as a metaphor for society. Inspired by various 20th-century art styles, including minimalism and pop art, Neo-Geo emerged in the 1980s as a response to the industrialization and commercialization of the modern world. The movement reflects on the impact of mass production, consumerism, and technology, often critiquing the superficiality of contemporary culture through its abstract, geometric compositions.
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Artworks Related to Neo-Geo

Drypoint is an intaglio printmaking technique where an image is incised onto a plate using a sharp, pointed tool, typically a needle made of metal or diamond. Traditionally, copper plates were used, but today zinc, plexiglass, or acetate are also common. Drypoint is easier for drawing artists to master compared to engraving, as the needle technique resembles drawing with a pencil rather than the more complex burin used in engraving.

CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.

Postminimalism refers to a range of art styles that emerged in the 1960s, following the Minimalism movement. While Minimalism focused on simplicity and impersonality, Postminimalist artists retained some elements of Minimalism but also explored greater expressiveness, experimenting with new materials and techniques. This movement includes various forms of art such as conceptual art, body art, performance art, process art, and site-specific works. Postminimalism represents a shift toward more personal, tactile, and process-oriented approaches to art-making.
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