Screenprint in six colours on wove paper. Signed, dated and numbered.
Bridget Riley's "Brouillard" is a screenprint in six colors on wove paper, presenting a square field of vertical stripes in carefully calibrated hues of blue, purple, gray, olive, and ochre. The French title, meaning "fog," describes the optical shimmer produced by the precisely arranged color intervals, which generate a perceptual experience of atmospheric depth and chromatic vibration. Signed, dated, and numbered by the artist, this print encapsulates Riley's lifelong investigation of color interaction and visual perception, demonstrating how systematic arrangements of simple elements can produce complex and deeply engaging optical phenomena.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Screenprint in six colours on wove paper. Signed, dated and numbered.
Bridget Riley's "Brouillard" is a screenprint in six colors on wove paper, presenting a square field of vertical stripes in carefully calibrated hues of blue, purple, gray, olive, and ochre. The French title, meaning "fog," describes the optical shimmer produced by the precisely arranged color intervals, which generate a perceptual experience of atmospheric depth and chromatic vibration. Signed, dated, and numbered by the artist, this print encapsulates Riley's lifelong investigation of color interaction and visual perception, demonstrating how systematic arrangements of simple elements can produce complex and deeply engaging optical phenomena.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
- Bridget Riley
Bridget Riley is an English artist best known for her work in the Op Art movement. Her signature pieces explore optical illusions using geometric patterns in black and white. Though her early works focused primarily on these colors with occasional additions of gray scale tones, she included colors in her later works. Her explorations of colors led to experimentation with how colors in patterns create the sensation of movement within compositions. She was inspired by her extensive travels to include color palettes from the places she visited. Notable examples of this process include Shadow Play, an oil on canvas from 1990, which was inspired by her study of hieroglyphs in Egypt ten years earlier. Bridget Riley is also known for her murals created for museums in London, and Paris. In addition, she has written about influential artists, curated exhibits of the works of Paul Klee, Piet Mondrian, El Greco, Rubens, Paul Cézanne and many others; working with noted art historians. Riley’s 1964 painting Current was exhibited in The Responsive Eye shown at the Museum of Modern Art, New York City in 1965. This work is credited with initiating global attention to the Op Art movement. While her optical art experimentation may be her best known, she also studied the work of George Seurat and gave many notable presentations concerning how his work influenced her style. (Artist website)
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.