// One Small Step by Bridget Riley, created in 2009, is a limited-edition screen print that exemplifies Riley’s mastery of color and optical abstraction. Using a harmonious blend of bold pink, orange, and blue shapes, the composition conveys a sense of movement and rhythm. The geometric forms curve and interact, creating an illusion of depth and a dynamic flow, despite the simplicity of flat colors and forms. This work reflects Riley’s exploration of perception, inviting viewers to experience the subtle effects of shape and color interaction. Limited to an edition of 300, One Small Step is a testament to Riley’s skill in transforming minimal elements into a compelling visual experience.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
// One Small Step by Bridget Riley, created in 2009, is a limited-edition screen print that exemplifies Riley’s mastery of color and optical abstraction. Using a harmonious blend of bold pink, orange, and blue shapes, the composition conveys a sense of movement and rhythm. The geometric forms curve and interact, creating an illusion of depth and a dynamic flow, despite the simplicity of flat colors and forms. This work reflects Riley’s exploration of perception, inviting viewers to experience the subtle effects of shape and color interaction. Limited to an edition of 300, One Small Step is a testament to Riley’s skill in transforming minimal elements into a compelling visual experience.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
- Bridget Riley
Bridget Riley is an English artist best known for her work in the Op Art movement. Her signature pieces explore optical illusions using geometric patterns in black and white. Though her early works focused primarily on these colors with occasional additions of gray scale tones, she included colors in her later works. Her explorations of colors led to experimentation with how colors in patterns create the sensation of movement within compositions. She was inspired by her extensive travels to include color palettes from the places she visited. Notable examples of this process include Shadow Play, an oil on canvas from 1990, which was inspired by her study of hieroglyphs in Egypt ten years earlier. Bridget Riley is also known for her murals created for museums in London, and Paris. In addition, she has written about influential artists, curated exhibits of the works of Paul Klee, Piet Mondrian, El Greco, Rubens, Paul Cézanne and many others; working with noted art historians. Riley’s 1964 painting Current was exhibited in The Responsive Eye shown at the Museum of Modern Art, New York City in 1965. This work is credited with initiating global attention to the Op Art movement. While her optical art experimentation may be her best known, she also studied the work of George Seurat and gave many notable presentations concerning how his work influenced her style. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.