Signed, numbered and titled by the artist in pencil, recto.
La Lune by Bridget Riley, created in 1965, is a classic example of the artist’s pioneering work in the Op Art movement. This limited edition screen-print features black and white curved lines that appear to ripple across the surface, creating a sense of undulating movement and depth. The optical illusion formed by the precise placement and variation of the lines plays with the viewer’s perception, making the flat surface seem dynamic and shifting. Riley’s expertise in manipulating simple forms and monochrome tones demonstrates her commitment to exploring visual perception and the complexities of seeing. The title La Lune (The Moon) evokes a sense of natural curvature and flow, mirroring the phases and movement of the moon. This print, signed, titled, and numbered in pencil by Riley, is part of an edition of 200, emphasizing the importance of this piece within her body of work and its historical relevance to the Op Art movement.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Signed, numbered and titled by the artist in pencil, recto.
La Lune by Bridget Riley, created in 1965, is a classic example of the artist’s pioneering work in the Op Art movement. This limited edition screen-print features black and white curved lines that appear to ripple across the surface, creating a sense of undulating movement and depth. The optical illusion formed by the precise placement and variation of the lines plays with the viewer’s perception, making the flat surface seem dynamic and shifting. Riley’s expertise in manipulating simple forms and monochrome tones demonstrates her commitment to exploring visual perception and the complexities of seeing. The title La Lune (The Moon) evokes a sense of natural curvature and flow, mirroring the phases and movement of the moon. This print, signed, titled, and numbered in pencil by Riley, is part of an edition of 200, emphasizing the importance of this piece within her body of work and its historical relevance to the Op Art movement.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
- Bridget Riley
Bridget Riley is an English artist best known for her work in the Op Art movement. Her signature pieces explore optical illusions using geometric patterns in black and white. Though her early works focused primarily on these colors with occasional additions of gray scale tones, she included colors in her later works. Her explorations of colors led to experimentation with how colors in patterns create the sensation of movement within compositions. She was inspired by her extensive travels to include color palettes from the places she visited. Notable examples of this process include Shadow Play, an oil on canvas from 1990, which was inspired by her study of hieroglyphs in Egypt ten years earlier. Bridget Riley is also known for her murals created for museums in London, and Paris. In addition, she has written about influential artists, curated exhibits of the works of Paul Klee, Piet Mondrian, El Greco, Rubens, Paul Cézanne and many others; working with noted art historians. Riley’s 1964 painting Current was exhibited in The Responsive Eye shown at the Museum of Modern Art, New York City in 1965. This work is credited with initiating global attention to the Op Art movement. While her optical art experimentation may be her best known, she also studied the work of George Seurat and gave many notable presentations concerning how his work influenced her style. (Artist website)
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.