Nineteen Greys A (1968) by Bridget Riley is a key example of her early Op Art explorations, focusing on visual rhythm and perception through minimal means. This screenprint features a grid of uniformly spaced elliptical shapes that gradually shift in tone across nineteen variations of grey. Set against a darker grey background, the ellipses appear to pulsate and bend, creating a dynamic optical effect. The piece reflects Riley’s interest in how simple geometric elements, when precisely modulated, can produce movement and vibration within a static field. Produced in an edition of 75, it remains a seminal work in the history of optical abstraction.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Nineteen Greys A (1968) by Bridget Riley is a key example of her early Op Art explorations, focusing on visual rhythm and perception through minimal means. This screenprint features a grid of uniformly spaced elliptical shapes that gradually shift in tone across nineteen variations of grey. Set against a darker grey background, the ellipses appear to pulsate and bend, creating a dynamic optical effect. The piece reflects Riley’s interest in how simple geometric elements, when precisely modulated, can produce movement and vibration within a static field. Produced in an edition of 75, it remains a seminal work in the history of optical abstraction.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
- Bridget Riley
Bridget Riley is an English artist best known for her work in the Op Art movement. Her signature pieces explore optical illusions using geometric patterns in black and white. Though her early works focused primarily on these colors with occasional additions of gray scale tones, she included colors in her later works. Her explorations of colors led to experimentation with how colors in patterns create the sensation of movement within compositions. She was inspired by her extensive travels to include color palettes from the places she visited. Notable examples of this process include Shadow Play, an oil on canvas from 1990, which was inspired by her study of hieroglyphs in Egypt ten years earlier. Bridget Riley is also known for her murals created for museums in London, and Paris. In addition, she has written about influential artists, curated exhibits of the works of Paul Klee, Piet Mondrian, El Greco, Rubens, Paul Cézanne and many others; working with noted art historians. Riley’s 1964 painting Current was exhibited in The Responsive Eye shown at the Museum of Modern Art, New York City in 1965. This work is credited with initiating global attention to the Op Art movement. While her optical art experimentation may be her best known, she also studied the work of George Seurat and gave many notable presentations concerning how his work influenced her style. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.