Silkscreen printed in colours
- Signed, numbered and dated on the front
Start by Bridget Riley, created in 2000, is a vibrant silkscreen print that embodies Riley's iconic exploration of color and geometric abstraction. The composition features dynamic, curving shapes in blue, green, yellow, white, and gray, which create a rhythmic movement across the surface. The interlocking forms and vibrant colors give the piece a sense of flow and energy, characteristic of Riley’s fascination with optical effects and visual perception. Signed, dated, and numbered, this limited edition print exemplifies her ability to manipulate shapes and colors to create an engaging visual experience that plays with the viewer’s sense of depth and movement.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Silkscreen printed in colours
- Signed, numbered and dated on the front
Start by Bridget Riley, created in 2000, is a vibrant silkscreen print that embodies Riley's iconic exploration of color and geometric abstraction. The composition features dynamic, curving shapes in blue, green, yellow, white, and gray, which create a rhythmic movement across the surface. The interlocking forms and vibrant colors give the piece a sense of flow and energy, characteristic of Riley’s fascination with optical effects and visual perception. Signed, dated, and numbered, this limited edition print exemplifies her ability to manipulate shapes and colors to create an engaging visual experience that plays with the viewer’s sense of depth and movement.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
- Bridget Riley
Bridget Riley is an English artist best known for her work in the Op Art movement. Her signature pieces explore optical illusions using geometric patterns in black and white. Though her early works focused primarily on these colors with occasional additions of gray scale tones, she included colors in her later works. Her explorations of colors led to experimentation with how colors in patterns create the sensation of movement within compositions. She was inspired by her extensive travels to include color palettes from the places she visited. Notable examples of this process include Shadow Play, an oil on canvas from 1990, which was inspired by her study of hieroglyphs in Egypt ten years earlier. Bridget Riley is also known for her murals created for museums in London, and Paris. In addition, she has written about influential artists, curated exhibits of the works of Paul Klee, Piet Mondrian, El Greco, Rubens, Paul Cézanne and many others; working with noted art historians. Riley’s 1964 painting Current was exhibited in The Responsive Eye shown at the Museum of Modern Art, New York City in 1965. This work is credited with initiating global attention to the Op Art movement. While her optical art experimentation may be her best known, she also studied the work of George Seurat and gave many notable presentations concerning how his work influenced her style. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.