Acrylic sculpture; signature on certificate; perfect condition
Backside Brussels II by Jonathan Monk is a conceptual acrylic wall sculpture from 2016, playing with themes of perception, humor, and iconic imagery. The artwork features a minimalistic white box with a small black dot at its center. This dot, upon inspection, is revealed to represent the back of a miniature Manneken Pis statue, the famous Brussels fountain figure. Hidden on the back of the box, this tiny sculpture adds an unexpected twist to the simple exterior, inviting the viewer to reconsider first impressions and discover what lies beyond. Each piece in this limited edition of 14 sculptures features a unique variant of the Manneken Pis, making each artwork distinct. The sculpture is signed on a certificate by Monk, highlighting his approach to blending playful irony with minimalist design.
Jonathan Monk (UK, 1969) is a conceptual artist whose work reinterprets and challenges art history with wit and irony. Using diverse media, including photography, sculpture, and performance, he engages in playful dialogues with iconic artists and movements. Monk’s works blur originality and appropriation, inviting viewers to question the boundaries of contemporary art.
Acrylic sculptureAcrylic sculpture refers to both a process and the resulting object. The artist begins by creating a sculpture from clay, plaster, or epoxy, which is then used to make a flexible mold. Melted acrylic is poured into the mold, and once it cures, the acrylic piece is hand-finished through sanding and polishing. Acrylic sculptures are valued for their clarity, durability, and ability to achieve intricate details.
Acrylic sculpture; signature on certificate; perfect condition
Backside Brussels II by Jonathan Monk is a conceptual acrylic wall sculpture from 2016, playing with themes of perception, humor, and iconic imagery. The artwork features a minimalistic white box with a small black dot at its center. This dot, upon inspection, is revealed to represent the back of a miniature Manneken Pis statue, the famous Brussels fountain figure. Hidden on the back of the box, this tiny sculpture adds an unexpected twist to the simple exterior, inviting the viewer to reconsider first impressions and discover what lies beyond. Each piece in this limited edition of 14 sculptures features a unique variant of the Manneken Pis, making each artwork distinct. The sculpture is signed on a certificate by Monk, highlighting his approach to blending playful irony with minimalist design.
Jonathan Monk (UK, 1969) is a conceptual artist whose work reinterprets and challenges art history with wit and irony. Using diverse media, including photography, sculpture, and performance, he engages in playful dialogues with iconic artists and movements. Monk’s works blur originality and appropriation, inviting viewers to question the boundaries of contemporary art.
Is it or is it not or can it or can it not be?
- Jonathan Monk
Jonathan Monk is a British artist living and working in Berlin, Germany. He creates photographs, film, sculpture and installation pieces which are thought to be humorous reinterpretations of works by Sol LeWitt, Ed Ruscha, and John Baldessari to name some. Monk often uses quotations to give new ideas to works viewed as seminal in their time, adding quirkiness to challenge the value of the artwork. Jonathan Monk's upbringing in a working class environment is viewed by some as his source for taking the artistic and adding the mundane in ways that encourage viewers to think differently about specific art pieces than they may have before. Jonathan Monk has works exhibited throughout the world. His Tears, 2005 photograph shows a passport photo with the eyes completely covered by a pair of drop earrings placed to represent tears. His Painting of a photo of a photo of a painting, 2008, has images of a purple vase filled with yellow sunflowers, both in photograph image and then drawn in markers. The greeting “Get Well Soon” is one of three witty, hand-lettered greetings included. These are only two of the pieces which have established Jonathan Monk's reputation as a humorist in the art world.
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.