Backside Brussels II
Backside Brussels II
Backside Brussels II
Monk, Jonathan | Backside Brussels II, 2016 — available on Composition Gallery
Acrylic sculpture; signature on certificate; perfect condition
Backside Brussels II by Jonathan Monk is a conceptual acrylic wall sculpture from 2016, playing with themes of perception, humor, and iconic imagery. The artwork features a minimalistic white box with a small black dot at its center. This dot, upon inspection, is revealed to represent the back of a miniature Manneken Pis statue, the famous Brussels fountain figure. Hidden on the back of the box, this tiny sculpture adds an unexpected twist to the simple exterior, inviting the viewer to reconsider first impressions and discover what lies beyond. Each piece in this limited edition of 14 sculptures features a unique variant of the Manneken Pis, making each artwork distinct. The sculpture is signed on a certificate by Monk, highlighting his approach to blending playful irony with minimalist design.
Artwork Copyright © Jonathan Monk
Jonathan Monk (UK, 1969) is a conceptual artist whose work reinterprets and challenges art history with wit and irony. Using diverse media, including photography, sculpture, and performance, he engages in playful dialogues with iconic artists and movements. Monk’s works blur originality and appropriation, inviting viewers to question the boundaries of contemporary art.
Artwork Copyright © Jonathan Monk

Backside Brussels II, 2016

Form

Medium

Edition

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Acrylic sculpture; signature on certificate; perfect condition
Backside Brussels II by Jonathan Monk is a conceptual acrylic wall sculpture from 2016, playing with themes of perception, humor, and iconic imagery. The artwork features a minimalistic white box with a small black dot at its center. This dot, upon inspection, is revealed to represent the back of a miniature Manneken Pis statue, the famous Brussels fountain figure. Hidden on the back of the box, this tiny sculpture adds an unexpected twist to the simple exterior, inviting the viewer to reconsider first impressions and discover what lies beyond. Each piece in this limited edition of 14 sculptures features a unique variant of the Manneken Pis, making each artwork distinct. The sculpture is signed on a certificate by Monk, highlighting his approach to blending playful irony with minimalist design.
Artwork Copyright © Jonathan Monk
Jonathan Monk (UK, 1969) is a conceptual artist whose work reinterprets and challenges art history with wit and irony. Using diverse media, including photography, sculpture, and performance, he engages in playful dialogues with iconic artists and movements. Monk’s works blur originality and appropriation, inviting viewers to question the boundaries of contemporary art.
Artwork Copyright © Jonathan Monk
Wagenfeld Sunsets I-VI, 376 B3

Jonathan Monk

Wagenfeld Sunsets I-VI, 376 B3, 2019

Photography

Inkjet print

EUR 1,500

Backside Brussels I

Jonathan Monk

Backside Brussels I, 2016

Sculpture / Object

Acrylic sculpture

EUR 800

Backside Brussels II

Jonathan Monk

Backside Brussels II, 2016

Sculpture / Object

Acrylic sculpture

EUR 800

Backside Brussels III

Jonathan Monk

Backside Brussels III, 2016

Sculpture / Object

Acrylic sculpture

EUR 800

Backside Brussels IV

Jonathan Monk

Backside Brussels IV, 2016

Sculpture / Object

Acrylic sculpture

EUR 800

The idea of an empty sliding

Jonathan Monk

The idea of an empty sliding, 2015

Limited Edition Print

Monotype

EUR 3,000

My Left Hand Holding a Square 4

Jonathan Monk

My Left Hand Holding a Square 4, 2008

Limited Edition Print

Drypoint

EUR 3,000

COUNTING IN COLOUR

Jonathan Monk

COUNTING IN COLOUR, 2010

Limited Edition Print

Lithograph

EUR 3,200

My Left Hand Holding a Piece 3

Jonathan Monk

My Left Hand Holding a Piece 3 , 2008

Limited Edition Print

Drypoint

Currently Not Available

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What is new figuration?

What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

Monk, Jonathan | Backside Brussels II, 2016 — available on Composition Gallery

Jonathan Monk

Backside Brussels II, 2016

40 x 40 x 4 cm

Est. 2005 — twenty years of collecting, online.