Original Silkscreen in colors on Fabriano wove paper - Suite: Columbus In Search of a New Tomorrow
- In excellent condition
- Hand Signed in Pencil
Max Bill's Untitled (Columbus In Search of a New Tomorrow) (1992) is a limited edition silkscreen print from the suite bearing the same name. This work measures 30 x 22.75 cm and is printed on Fabriano wove paper. The composition features an arrangement of geometric shapes, primarily triangles, in a harmonious blend of green, blue, and purple hues. Bill’s commitment to precision and abstraction is evident in the crisp lines and balanced color palette, creating a sense of depth and movement. The print exemplifies Bill's exploration of constructivist principles, emphasizing clarity, order, and visual harmony. The piece is hand-signed in pencil, adding a personal touch to this elegant and structured artwork.
Max Bill (Switzerland, 1908–1994) was a multidisciplinary artist, architect, and designer associated with the Bauhaus and concrete art movements. Renowned for his geometric sculptures, paintings, and typography, he pioneered functional design aesthetics. His works often blur the line between art and utility, emphasizing clarity and precision.
Silkscreen Silkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Original Silkscreen in colors on Fabriano wove paper - Suite: Columbus In Search of a New Tomorrow
- In excellent condition
- Hand Signed in Pencil
Max Bill's Untitled (Columbus In Search of a New Tomorrow) (1992) is a limited edition silkscreen print from the suite bearing the same name. This work measures 30 x 22.75 cm and is printed on Fabriano wove paper. The composition features an arrangement of geometric shapes, primarily triangles, in a harmonious blend of green, blue, and purple hues. Bill’s commitment to precision and abstraction is evident in the crisp lines and balanced color palette, creating a sense of depth and movement. The print exemplifies Bill's exploration of constructivist principles, emphasizing clarity, order, and visual harmony. The piece is hand-signed in pencil, adding a personal touch to this elegant and structured artwork.
Max Bill (Switzerland, 1908–1994) was a multidisciplinary artist, architect, and designer associated with the Bauhaus and concrete art movements. Renowned for his geometric sculptures, paintings, and typography, he pioneered functional design aesthetics. His works often blur the line between art and utility, emphasizing clarity and precision.
Fine art is in the last consequence, philosophy expressed visually.
- Max Bill
Max Bill (b. 1908 Switzerland, d. 1994 Germany) was a Swiss artist, architect, and designer, known for his contributions to the Concrete Art movement. Bill's work was characterized by its emphasis on clarity, mathematical precision, and a commitment to geometric abstraction. He was heavily influenced by the Bauhaus philosophy, where he studied under masters like Wassily Kandinsky and Paul Klee. Throughout his career, Bill explored various mediums, including sculpture, painting, and industrial design, always maintaining a focus on the principles of functionality and simplicity. His notable works include his public sculptures and his designs for everyday objects, which reflect his belief in art’s ability to improve daily life. As a key figure in 20th-century design and art, Max Bill's legacy continues to shape contemporary practices in both fields. (Artist website)
Bauhaus was a school of art, design and architecture established in Weimar, Germany. Architect Wlater Gropius established it in 1919. Bauhaus used a method for teaching within a community of artists working together and incorporating art in the fundamentals of daily life.