Signed and titled 'Walter Leblanc "TORSIONS. P.F. 657."' (on the reverse)
White polyvinyl strip on painted panel in an artist's box
Framed size 40 x 40 cm. (15.75 x 15.75 in.)
Image 28 x 28 cm. / 11 x 11 in.)
Executed circa 1963-1971.
Literature: N. Leblanc, D. Everarts de Velp-Seynaeve, Walter Leblanc, Catalogue raisonné, Brussels, 1997, No. 564, p. 201.
PF 657 by Walter Leblanc, created around 1963–1971, is a mixed media artwork featuring white polyvinyl tape meticulously arranged on a painted panel. This piece exemplifies Leblanc's commitment to kinetic and optical art, where the interplay of light and shadow creates a dynamic, pulsating visual effect. The arrangement of the white strips forms a series of narrow, elongated diamond shapes that appear to shift as the viewer changes perspective. By using simple materials and a monochromatic palette, Leblanc achieves a sense of movement and depth, challenging perceptions of space and form. This work invites viewers to engage with its optical illusion, exploring how minimalistic elements can produce complex, engaging visual experiences.
Walter Leblanc (Belgium, 1932–1986) was a pivotal figure in European post-war art, renowned for his contributions to kinetic and optical art. A founding member of the Antwerp avant-garde group G58, he introduced the 'torsion' technique, twisting materials like cotton threads and metal to create dynamic works that engage light and movement. Leblanc's innovative approach earned him international recognition, with his works featured in major exhibitions and collections worldwide.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Signed and titled 'Walter Leblanc "TORSIONS. P.F. 657."' (on the reverse)
White polyvinyl strip on painted panel in an artist's box
Framed size 40 x 40 cm. (15.75 x 15.75 in.)
Image 28 x 28 cm. / 11 x 11 in.)
Executed circa 1963-1971.
Literature: N. Leblanc, D. Everarts de Velp-Seynaeve, Walter Leblanc, Catalogue raisonné, Brussels, 1997, No. 564, p. 201.
PF 657 by Walter Leblanc, created around 1963–1971, is a mixed media artwork featuring white polyvinyl tape meticulously arranged on a painted panel. This piece exemplifies Leblanc's commitment to kinetic and optical art, where the interplay of light and shadow creates a dynamic, pulsating visual effect. The arrangement of the white strips forms a series of narrow, elongated diamond shapes that appear to shift as the viewer changes perspective. By using simple materials and a monochromatic palette, Leblanc achieves a sense of movement and depth, challenging perceptions of space and form. This work invites viewers to engage with its optical illusion, exploring how minimalistic elements can produce complex, engaging visual experiences.
Walter Leblanc (Belgium, 1932–1986) was a pivotal figure in European post-war art, renowned for his contributions to kinetic and optical art. A founding member of the Antwerp avant-garde group G58, he introduced the 'torsion' technique, twisting materials like cotton threads and metal to create dynamic works that engage light and movement. Leblanc's innovative approach earned him international recognition, with his works featured in major exhibitions and collections worldwide.
Light is the frivolous sister of space and time.
- Walter Leblanc
Working extensively in Kinetic and Optical art, Walter Le Blanc is celebrated for his work with the Torsion technique – on both canvas and sculpture, the artist would tighten and twist such materials as painted cotton threads and plastic ribbons over a traditional support to create simple geometric shapes and ray-like patterns that produced the illusion of movement. Twisted Strings is just one among many examples of the aforementioned technique – this particular piece was comprised of string, black latex paint and canvas and was a study of the interplay between light and surface. Leblanc worked and exhibited with the ZERO group and in the latter part of his career began to created sculptural 3D archetypes by nesting primary geometric shapes of circles, quadrangles and triangles. (Artist website)
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.