Albert Oehlen’s Cezanne (2021) is a pigment print on cardboard that showcases his distinctive abstract style with a figurative twist. The piece features a sketch-like figure rendered in fluid, expressive black and gray brushstrokes, giving it a spontaneous and almost dreamlike quality. The figure appears to move through a loosely defined natural setting, with gestural lines suggesting trees, branches, and an open space around them. The monochromatic palette and the unrefined brushwork evoke an introspective atmosphere, reminiscent of Cézanne's explorations of form and landscape but interpreted through Oehlen’s modern, abstract lens. This work exemplifies Oehlen’s ability to merge figuration with abstraction, capturing an essence of movement and environment with minimal detail.
Albert Oehlen (Germany, 1954) is a contemporary artist known for his dynamic approach to painting, blending abstraction and figuration. A key figure in the Junge Wilde movement, he challenges traditional art norms by integrating digital techniques and unconventional materials. Oehlen's work has been exhibited globally, influencing modern abstract art.
Pigment print A pigment print is a type of print that uses ink colored with pigment particles. Pigment ink is commonly used in inkjet printing because it is more durable and resistant to fading compared to dye-based ink, which is more vibrant but less stable over time.
Albert Oehlen’s Cezanne (2021) is a pigment print on cardboard that showcases his distinctive abstract style with a figurative twist. The piece features a sketch-like figure rendered in fluid, expressive black and gray brushstrokes, giving it a spontaneous and almost dreamlike quality. The figure appears to move through a loosely defined natural setting, with gestural lines suggesting trees, branches, and an open space around them. The monochromatic palette and the unrefined brushwork evoke an introspective atmosphere, reminiscent of Cézanne's explorations of form and landscape but interpreted through Oehlen’s modern, abstract lens. This work exemplifies Oehlen’s ability to merge figuration with abstraction, capturing an essence of movement and environment with minimal detail.
Albert Oehlen (Germany, 1954) is a contemporary artist known for his dynamic approach to painting, blending abstraction and figuration. A key figure in the Junge Wilde movement, he challenges traditional art norms by integrating digital techniques and unconventional materials. Oehlen's work has been exhibited globally, influencing modern abstract art.
Meditation on bureaucratic tendencies at TZK, 2020
Limited Edition Print
Lithograph
Currently Not Available
Albert Oehlen
Hoelle/Arbeit, 1989
Limited Edition Print
Woodcut
Currently Not Available
No sold works to show.
I'm not a big theory person.
- Albert Oehlen
Albert Oehlen is a contemporary German artist and works and lives in Buhler and Segovia. His art is related to the Neue Wilde movement but he more recently is being described as a free radical. His focus is not as much on what he is painting, but the process of painting itself. In the 80's he went through abstract elements of painting in his work which is said to be due to his reaction of the Neo-Expressionist of the time. After that, he began working within self-imposed parameters that were often described as absurd. He would only use gray tones in his grey paintings and restricted himself to blue, yellow or red during another of his series which he called 'bad' paintings. During this time he created his 'Adolf Hitler' portrait which earned him some fame. By the 90's, Albert Oehlen's work appeared as lines and smears of paint he sprayed and brushed over collage images. These images were transferred onto a canvas with large inkjet printers used in creating billboards. In more recent work, Finger Paintings his deep feelings come out in his work with the use of his hands as well as brushes, spray cans, and rags.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.