Signed, dated and numbered to lower margin.
Image: 22 × 31.8 in (56 × 81 cm).
Sheet: 26.1 × 35.75 w in (66 × 91 cm).
Allan D’Arcangelo’s Smoke Dreams (1980) is a screenprint in colors that blends Pop Art clarity with surreal imagery. The composition places a bold US Route 40 highway sign in the foreground, framed by receding lanes of road. Above, a reclining blonde woman with closed eyes smokes a cigarette, her form seamlessly merging with the grassy landscape. The flat, vivid colors and simplified contours recall billboard aesthetics while introducing dreamlike disjunction between the road sign and the figure. Produced in an edition of 250, this work reflects D’Arcangelo’s fascination with American highways, symbols of mobility and escape, reimagined through irony and fantasy.
Allan D’Arcangelo (USA, 1930–1998) was a prominent painter known for his striking depictions of American highways, road signs, and landscapes. Associated with Pop Art, his works blend bold graphic elements with themes of modernity and isolation. D’Arcangelo’s unique style captures the essence of 20th-century American culture and its symbols.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Signed, dated and numbered to lower margin.
Image: 22 × 31.8 in (56 × 81 cm).
Sheet: 26.1 × 35.75 w in (66 × 91 cm).
Allan D’Arcangelo’s Smoke Dreams (1980) is a screenprint in colors that blends Pop Art clarity with surreal imagery. The composition places a bold US Route 40 highway sign in the foreground, framed by receding lanes of road. Above, a reclining blonde woman with closed eyes smokes a cigarette, her form seamlessly merging with the grassy landscape. The flat, vivid colors and simplified contours recall billboard aesthetics while introducing dreamlike disjunction between the road sign and the figure. Produced in an edition of 250, this work reflects D’Arcangelo’s fascination with American highways, symbols of mobility and escape, reimagined through irony and fantasy.
Allan D’Arcangelo (USA, 1930–1998) was a prominent painter known for his striking depictions of American highways, road signs, and landscapes. Associated with Pop Art, his works blend bold graphic elements with themes of modernity and isolation. D’Arcangelo’s unique style captures the essence of 20th-century American culture and its symbols.
My most profound experiences of landscape were looking through the windshield.
- Allan D'Arcangelo
Allan D'Arcangelo was an American artist and printmaker who was part of the Pop Art movement. Like other Pop artists, he drew his inspiration from the cultural (and, in his case, often literal) landscape. His best known works are acrylic paintings of highway imagery, including iconic roads (such as Route 66), street signs, and road barriers. These pieces in particular demonstrate his "hard edge," or constructivist, style, in which Allan used bold colors and sharp geometrical figures to transform deep perspective fields into stark and simplified two-dimensional images. With this technique he was able to both portray and transcend spatial relationships, allowing the images to be experienced as representative of both direct experience and more general symbolism. Allan D'Arcangelo's work was included in a number of important Pop Art exhibitions, including Mixed Media and Pop Art at the Albright-Knox Museum in 1963. His paintings are in the permanent collections of a number of museums, such as the Tate Britain in London and the Whitney Museum of American Art in New York. (Artist website)
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.