Original lithograph and serigraph on paper, hand-signed by the artist.
Beginning by Allan D'Arcangelo is a limited edition lithograph and serigraph created in 1975. This abstract piece employs a minimalist palette of dark, muted tones with subtle yet deliberate accents in brown and blue. The composition is dominated by intersecting black lines that cut across textured bands of grey, forming a balanced yet dynamic structure. These bands, layered with an almost hidden pattern resembling an official emblem or seal, bring an element of depth and mystery to the print. The use of sharp geometric lines contrasts with the softer, uneven brushstrokes of color, hinting at a tension between order and randomness. D'Arcangelo’s signature style of clean lines and abstract forms evokes themes of modernity and structured simplicity.
Allan D’Arcangelo (USA, 1930–1998) was a prominent painter known for his striking depictions of American highways, road signs, and landscapes. Associated with Pop Art, his works blend bold graphic elements with themes of modernity and isolation. D’Arcangelo’s unique style captures the essence of 20th-century American culture and its symbols.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Original lithograph and serigraph on paper, hand-signed by the artist.
Beginning by Allan D'Arcangelo is a limited edition lithograph and serigraph created in 1975. This abstract piece employs a minimalist palette of dark, muted tones with subtle yet deliberate accents in brown and blue. The composition is dominated by intersecting black lines that cut across textured bands of grey, forming a balanced yet dynamic structure. These bands, layered with an almost hidden pattern resembling an official emblem or seal, bring an element of depth and mystery to the print. The use of sharp geometric lines contrasts with the softer, uneven brushstrokes of color, hinting at a tension between order and randomness. D'Arcangelo’s signature style of clean lines and abstract forms evokes themes of modernity and structured simplicity.
Allan D’Arcangelo (USA, 1930–1998) was a prominent painter known for his striking depictions of American highways, road signs, and landscapes. Associated with Pop Art, his works blend bold graphic elements with themes of modernity and isolation. D’Arcangelo’s unique style captures the essence of 20th-century American culture and its symbols.
My most profound experiences of landscape were looking through the windshield.
- Allan D'Arcangelo
Allan D'Arcangelo was an American artist and printmaker who was part of the Pop Art movement. Like other Pop artists, he drew his inspiration from the cultural (and, in his case, often literal) landscape. His best known works are acrylic paintings of highway imagery, including iconic roads (such as Route 66), street signs, and road barriers. These pieces in particular demonstrate his "hard edge," or constructivist, style, in which Allan used bold colors and sharp geometrical figures to transform deep perspective fields into stark and simplified two-dimensional images. With this technique he was able to both portray and transcend spatial relationships, allowing the images to be experienced as representative of both direct experience and more general symbolism. Allan D'Arcangelo's work was included in a number of important Pop Art exhibitions, including Mixed Media and Pop Art at the Albright-Knox Museum in 1963. His paintings are in the permanent collections of a number of museums, such as the Tate Britain in London and the Whitney Museum of American Art in New York. (Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.