Published in 1971 by Editions Georges Visat, Paris, in an edition of 99 plus 20 HC. Literature: L. Anselmino, 'Man Ray Opera Grafica', Turin 1973, vol. I, cat. no. 29E
Man Ray's Cactus (1969) is an aquatint limited edition print that exemplifies his affinity for bold abstract forms. The print features a series of vertical, elongated yellow shapes with jagged green accents, resembling the spines of a cactus, against a stark black background. This composition merges geometric abstraction with organic elements, displaying Man Ray’s unique visual language that draws from Dadaist and Surrealist influences. The color contrast between the bright yellow and deep black adds drama to the piece, while the green detailing provides a natural texture, inviting viewers to reflect on the relationship between form and nature. Originally published in 1971 by Editions Georges Visat, Paris, the print measures 61.5 x 45 cm and was produced in an edition of 99 with 20 additional HC (Hors Commerce) prints.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
AquatintIntaglio is a printmaking technique where the artist creates marks on a metal plate that hold ink or dye. The inked plate is then pressed onto paper, transferring the ink to the sheet. This process can be repeated multiple times depending on the technique. Intaglio methods, such as etching, often involve applying a mordant (acid) to the metal plate to create the design. Intaglio encompasses various techniques, including engraving, etching, and drypoint.
Published in 1971 by Editions Georges Visat, Paris, in an edition of 99 plus 20 HC. Literature: L. Anselmino, 'Man Ray Opera Grafica', Turin 1973, vol. I, cat. no. 29E
Man Ray's Cactus (1969) is an aquatint limited edition print that exemplifies his affinity for bold abstract forms. The print features a series of vertical, elongated yellow shapes with jagged green accents, resembling the spines of a cactus, against a stark black background. This composition merges geometric abstraction with organic elements, displaying Man Ray’s unique visual language that draws from Dadaist and Surrealist influences. The color contrast between the bright yellow and deep black adds drama to the piece, while the green detailing provides a natural texture, inviting viewers to reflect on the relationship between form and nature. Originally published in 1971 by Editions Georges Visat, Paris, the print measures 61.5 x 45 cm and was produced in an edition of 99 with 20 additional HC (Hors Commerce) prints.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
It has never been my object to record my dreams, just the determination to realize them.
- Man Ray
Man Ray was born Emmanuel Radnitzky in South Philadelphia, Pennsylvania. Interested in art from a young age he educated himself by visiting art museums and studying the old masters. Man Ray earned money as a commercial artist in advertising and as a technical illustrator, while working towards a career as a painter. It was when studying at the Ferrer School of Art that he began to develop into a great visual artist. Man Ray worked in a variety of media, including photography, and while his early paintings show elements of cubism he also had links to the Dada and Surrealist movements, using flat forms and vivid colors. Early in his career he began creating objects and sculptures and developed unique methods such as airbrushing on glass and using a spray gun with pen drawings. Man Ray is also remembered for creating a type of photogram, which he referred to as ‘rayographs.’ Influenced by his friend and collaborator Marcel Duchamp he worked to bring some of the energy of European experimental art to America. In the 1920s Man Ray moved to Paris, where he spent much of the next 20 years. He became a respected photographer and captured images of many people famous in the art world, such as Pablo Picasso, Gertrude Stein and Jean Cocteau. In 1934 he produced a well-known series of photographs of surrealist artist Meret Oppenheim. Collaborating with Duchamp he directed several avant-garde short films and worked on the cinematography of others. Returning to the USA in the 1940s he worked in New York and Hollywood as a fashion photographer, renowned for his use of light and minimalism, while also producing a number of paintings. He had a solo exhibition at the Copely Galleries in Beverley Hills in 1958. Man Ray died in 1976 and left a legacy of original and experimental works. He is also remembered for the important role he played in the development of revolutionary art forms. (Artist website)
Anti-Art refers to artwork that challenges traditional definitions of art. The term is often attributed to artist Marcel Duchamp, who pioneered the use of readymades—everyday objects presented as art. These works defied conventional expectations that art should adhere to traditional or high art standards.