Rare museum quality edition of the "Cadeau"- Realized by Man-Ray - Published by Luciano Anselmino editore, Turin in 1974 in just 300 copies from I/CCC to CCC/CCC numbered and hand signed by the artist. ( 1921/74)
Man Ray’s Cadeau is an iconic Dadaist sculpture that challenges the boundaries of everyday objects through surrealist transformation. Originally conceived in 1921, this piece is a modified flatiron with a row of sharp nails embedded down its center, rendering it completely useless in its intended function. The juxtaposition of a domestic object with a violent alteration evokes a sense of discomfort and subverts its familiar purpose. This edition, realized in 1974 in a rare, museum-quality series of 300 pieces, is hand-signed and numbered by the artist. The piece exemplifies Man Ray's playful yet subversive approach to art, inviting viewers to reconsider the meanings and functions of mundane objects in their daily lives. Cadeau embodies the spirit of Dadaism, blending wit, absurdity, and the defamiliarization of the ordinary, a powerful statement that remains as impactful now as when it was first created.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
MetalMetal has been traditionally used in art for creating sculptures, jewelry, masks, adornments, tools, and weapons, often featuring decorative elements. Common types of metal used include bronze, brass, cast iron, gray iron, copper, gold, tin, wrought iron, and silver.
Rare museum quality edition of the "Cadeau"- Realized by Man-Ray - Published by Luciano Anselmino editore, Turin in 1974 in just 300 copies from I/CCC to CCC/CCC numbered and hand signed by the artist. ( 1921/74)
Man Ray’s Cadeau is an iconic Dadaist sculpture that challenges the boundaries of everyday objects through surrealist transformation. Originally conceived in 1921, this piece is a modified flatiron with a row of sharp nails embedded down its center, rendering it completely useless in its intended function. The juxtaposition of a domestic object with a violent alteration evokes a sense of discomfort and subverts its familiar purpose. This edition, realized in 1974 in a rare, museum-quality series of 300 pieces, is hand-signed and numbered by the artist. The piece exemplifies Man Ray's playful yet subversive approach to art, inviting viewers to reconsider the meanings and functions of mundane objects in their daily lives. Cadeau embodies the spirit of Dadaism, blending wit, absurdity, and the defamiliarization of the ordinary, a powerful statement that remains as impactful now as when it was first created.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
It has never been my object to record my dreams, just the determination to realize them.
- Man Ray
Man Ray was born Emmanuel Radnitzky in South Philadelphia, Pennsylvania. Interested in art from a young age he educated himself by visiting art museums and studying the old masters. Man Ray earned money as a commercial artist in advertising and as a technical illustrator, while working towards a career as a painter. It was when studying at the Ferrer School of Art that he began to develop into a great visual artist. Man Ray worked in a variety of media, including photography, and while his early paintings show elements of cubism he also had links to the Dada and Surrealist movements, using flat forms and vivid colors. Early in his career he began creating objects and sculptures and developed unique methods such as airbrushing on glass and using a spray gun with pen drawings. Man Ray is also remembered for creating a type of photogram, which he referred to as ‘rayographs.’ Influenced by his friend and collaborator Marcel Duchamp he worked to bring some of the energy of European experimental art to America. In the 1920s Man Ray moved to Paris, where he spent much of the next 20 years. He became a respected photographer and captured images of many people famous in the art world, such as Pablo Picasso, Gertrude Stein and Jean Cocteau. In 1934 he produced a well-known series of photographs of surrealist artist Meret Oppenheim. Collaborating with Duchamp he directed several avant-garde short films and worked on the cinematography of others. Returning to the USA in the 1940s he worked in New York and Hollywood as a fashion photographer, renowned for his use of light and minimalism, while also producing a number of paintings. He had a solo exhibition at the Copely Galleries in Beverley Hills in 1958. Man Ray died in 1976 and left a legacy of original and experimental works. He is also remembered for the important role he played in the development of revolutionary art forms. (Artist website)
Anti-Art refers to artwork that challenges traditional definitions of art. The term is often attributed to artist Marcel Duchamp, who pioneered the use of readymades—everyday objects presented as art. These works defied conventional expectations that art should adhere to traditional or high art standards.