Gelatin Silver print, Printed Later. Signed and numbered on the verso. Stamped on the verso 'Epreuve original Atelier Man Ray, Paris.' Literature: D. Palazzoli, Man Ray. La costruzione dei sensi. Catalogue of the show at Galleria Civica d'Arte Moderna e Contemporanea, Turin, from October 5 to January 7, 1996, 1997, pp. XX - 348.
This gelatin silver print by Man Ray documents one of his sculptural assemblages, The Rebus, a vertical construction of interlocking geometric metal forms that synthesizes the Constructivist and Cubist vocabularies of the early twentieth-century avant-garde. The photograph, printed later from the original negative, captures the sculpture's bold interplay of positive and negative space through Man Ray's characteristically precise studio lighting, casting deep shadows that animate the angular composition. Bearing the Atelier Man Ray Paris stamp on the verso, the print connects Man Ray's dual practice as photographer and sculptor.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
Gelatin Silver PrintA silver gelatin print is a type of photographic print made using the silver process. In this process, photographic materials such as black and white films and printing papers are coated with a light-sensitive emulsion of silver salts suspended in gelatin. This emulsion is applied to a support, which could be flexible plastic, glass, resin-coated paper, or baryta paper. The materials are light-sensitive and remain stable under normal storage conditions, making them ideal for long-term preservation.
Gelatin Silver print, Printed Later. Signed and numbered on the verso. Stamped on the verso 'Epreuve original Atelier Man Ray, Paris.' Literature: D. Palazzoli, Man Ray. La costruzione dei sensi. Catalogue of the show at Galleria Civica d'Arte Moderna e Contemporanea, Turin, from October 5 to January 7, 1996, 1997, pp. XX - 348.
This gelatin silver print by Man Ray documents one of his sculptural assemblages, The Rebus, a vertical construction of interlocking geometric metal forms that synthesizes the Constructivist and Cubist vocabularies of the early twentieth-century avant-garde. The photograph, printed later from the original negative, captures the sculpture's bold interplay of positive and negative space through Man Ray's characteristically precise studio lighting, casting deep shadows that animate the angular composition. Bearing the Atelier Man Ray Paris stamp on the verso, the print connects Man Ray's dual practice as photographer and sculptor.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
It has never been my object to record my dreams, just the determination to realize them.
- Man Ray
Man Ray was born Emmanuel Radnitzky in South Philadelphia, Pennsylvania. Interested in art from a young age he educated himself by visiting art museums and studying the old masters. Man Ray earned money as a commercial artist in advertising and as a technical illustrator, while working towards a career as a painter. It was when studying at the Ferrer School of Art that he began to develop into a great visual artist. Man Ray worked in a variety of media, including photography, and while his early paintings show elements of cubism he also had links to the Dada and Surrealist movements, using flat forms and vivid colors. Early in his career he began creating objects and sculptures and developed unique methods such as airbrushing on glass and using a spray gun with pen drawings. Man Ray is also remembered for creating a type of photogram, which he referred to as ‘rayographs.’ Influenced by his friend and collaborator Marcel Duchamp he worked to bring some of the energy of European experimental art to America. In the 1920s Man Ray moved to Paris, where he spent much of the next 20 years. He became a respected photographer and captured images of many people famous in the art world, such as Pablo Picasso, Gertrude Stein and Jean Cocteau. In 1934 he produced a well-known series of photographs of surrealist artist Meret Oppenheim. Collaborating with Duchamp he directed several avant-garde short films and worked on the cinematography of others. Returning to the USA in the 1940s he worked in New York and Hollywood as a fashion photographer, renowned for his use of light and minimalism, while also producing a number of paintings. He had a solo exhibition at the Copely Galleries in Beverley Hills in 1958. Man Ray died in 1976 and left a legacy of original and experimental works. He is also remembered for the important role he played in the development of revolutionary art forms. (Artist website)
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.