Presse-papier à Priape - signed MR, and numbered ' (lower edge) - white marble - cylinder: 20½in. (52cm.) high -
Conceived in 1920 and executed in 1972 by the Galerie Alexandre Iolas, in an edition of 500. The original object that was conceived in 1920 has been destroyed. One hollow marble cylinder and three identical marble balls (4)
Pynape by Man Ray, a marble sculpture conceived in 1920 and produced in its final form in 1972, exemplifies the artist's playfulness with form and function. This piece, crafted in white marble, consists of a tall, hollow cylindrical column topped with a spherical marble ball, accompanied by two identical spheres on the ground beside it. Originally conceived as a presse-papier à Priape (Priapus paperweight), the minimalist geometry of the sculpture contrasts with its subtly suggestive form, evoking themes of balance, elegance, and duality. Its smooth marble finish enhances the sculpture’s timeless and classical aesthetic. This edition, made by Galerie Alexandre Iolas, captures Man Ray's unique ability to infuse ordinary objects with an enigmatic and artistic quality, blending Surrealism with a modernist approach.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
MarbleMarble is a rare and expensive metamorphic rock composed of recrystallized limestone. It has been used for centuries to create statues, decorative floors, and walls due to its translucency and durability. Marble is ideal for both free-standing statues and relief sculptures. When carving, the material is chiseled away in small increments to achieve the desired form.
Presse-papier à Priape - signed MR, and numbered ' (lower edge) - white marble - cylinder: 20½in. (52cm.) high -
Conceived in 1920 and executed in 1972 by the Galerie Alexandre Iolas, in an edition of 500. The original object that was conceived in 1920 has been destroyed. One hollow marble cylinder and three identical marble balls (4)
Pynape by Man Ray, a marble sculpture conceived in 1920 and produced in its final form in 1972, exemplifies the artist's playfulness with form and function. This piece, crafted in white marble, consists of a tall, hollow cylindrical column topped with a spherical marble ball, accompanied by two identical spheres on the ground beside it. Originally conceived as a presse-papier à Priape (Priapus paperweight), the minimalist geometry of the sculpture contrasts with its subtly suggestive form, evoking themes of balance, elegance, and duality. Its smooth marble finish enhances the sculpture’s timeless and classical aesthetic. This edition, made by Galerie Alexandre Iolas, captures Man Ray's unique ability to infuse ordinary objects with an enigmatic and artistic quality, blending Surrealism with a modernist approach.
Man Ray (USA, 1890–1976) was a pioneering photographer, painter, and filmmaker associated with Dada and Surrealism. Renowned for his 'rayographs,' he redefined photography as an artistic medium. His experimental works, including films and innovative portraiture, continue to influence contemporary art and photography.
It has never been my object to record my dreams, just the determination to realize them.
- Man Ray
Man Ray was born Emmanuel Radnitzky in South Philadelphia, Pennsylvania. Interested in art from a young age he educated himself by visiting art museums and studying the old masters. Man Ray earned money as a commercial artist in advertising and as a technical illustrator, while working towards a career as a painter. It was when studying at the Ferrer School of Art that he began to develop into a great visual artist. Man Ray worked in a variety of media, including photography, and while his early paintings show elements of cubism he also had links to the Dada and Surrealist movements, using flat forms and vivid colors. Early in his career he began creating objects and sculptures and developed unique methods such as airbrushing on glass and using a spray gun with pen drawings. Man Ray is also remembered for creating a type of photogram, which he referred to as ‘rayographs.’ Influenced by his friend and collaborator Marcel Duchamp he worked to bring some of the energy of European experimental art to America. In the 1920s Man Ray moved to Paris, where he spent much of the next 20 years. He became a respected photographer and captured images of many people famous in the art world, such as Pablo Picasso, Gertrude Stein and Jean Cocteau. In 1934 he produced a well-known series of photographs of surrealist artist Meret Oppenheim. Collaborating with Duchamp he directed several avant-garde short films and worked on the cinematography of others. Returning to the USA in the 1940s he worked in New York and Hollywood as a fashion photographer, renowned for his use of light and minimalism, while also producing a number of paintings. He had a solo exhibition at the Copely Galleries in Beverley Hills in 1958. Man Ray died in 1976 and left a legacy of original and experimental works. He is also remembered for the important role he played in the development of revolutionary art forms. (Artist website)
Readymade is the term coined by French artist Marcel Duchamp to describe artworks created from manufactured objects. Duchamp selected ordinary, functional items that he felt had visual indifference, turning them into art simply by choosing and presenting them in a new context. This concept challenged traditional notions of art and continues to influence artists who adopt similar approaches today.