Robbe-Grillet, Alain--Delvaux, Paul construction d'un temple en ruine de la déesse Vanadé Paris, Le Bateau-Lavoir, 1975
Large oblong folio in sheets, printed cover, box slipcase.
First edition, established under the direction of Mira Jacob, decorated with 11 original full-page etchings and drypoints by Paul Delvaux, including the frontispiece. The coppers were scratched after the draw.
Edition of 187 numbered copies on Arches vellum, signed by the author and the artist on the justification. This copy number 50.
Qty: 11
Unframed
Construction d'un temple en ruine de la déesse Vanadé Paris by Paul Delvaux is a limited edition print portfolio from 1975, consisting of a series of 11 etchings and drypoints. Created under the direction of Mira Jacob, the edition was published by Le Bateau-Lavoir and printed on Arches vellum paper. Each print measures approximately 61.5 cm by 74.5 cm. The portfolio, featuring architectural and classical themes typical of Delvaux’s surrealist style, includes scenes of ancient ruins, mythological figures, and serene compositions. The artist's meticulous line work evokes a dreamlike atmosphere, exploring themes of time, decay, and beauty. This edition is limited to 187 copies, each signed by both the author Alain Robbe-Grillet and the artist, Paul Delvaux; this particular set is numbered as copy 50.
Paul Delvaux (Belgium, 1897–1994) was a prominent surrealist painter known for his dreamlike, enigmatic scenes. His works often feature deserted cityscapes, classical architecture, and mysterious female figures, blending realism with a sense of timelessness. Delvaux’s art evokes wonder and introspection, making him a central figure in 20th-century surrealism.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Robbe-Grillet, Alain--Delvaux, Paul construction d'un temple en ruine de la déesse Vanadé Paris, Le Bateau-Lavoir, 1975
Large oblong folio in sheets, printed cover, box slipcase.
First edition, established under the direction of Mira Jacob, decorated with 11 original full-page etchings and drypoints by Paul Delvaux, including the frontispiece. The coppers were scratched after the draw.
Edition of 187 numbered copies on Arches vellum, signed by the author and the artist on the justification. This copy number 50.
Qty: 11
Unframed
Construction d'un temple en ruine de la déesse Vanadé Paris by Paul Delvaux is a limited edition print portfolio from 1975, consisting of a series of 11 etchings and drypoints. Created under the direction of Mira Jacob, the edition was published by Le Bateau-Lavoir and printed on Arches vellum paper. Each print measures approximately 61.5 cm by 74.5 cm. The portfolio, featuring architectural and classical themes typical of Delvaux’s surrealist style, includes scenes of ancient ruins, mythological figures, and serene compositions. The artist's meticulous line work evokes a dreamlike atmosphere, exploring themes of time, decay, and beauty. This edition is limited to 187 copies, each signed by both the author Alain Robbe-Grillet and the artist, Paul Delvaux; this particular set is numbered as copy 50.
Paul Delvaux (Belgium, 1897–1994) was a prominent surrealist painter known for his dreamlike, enigmatic scenes. His works often feature deserted cityscapes, classical architecture, and mysterious female figures, blending realism with a sense of timelessness. Delvaux’s art evokes wonder and introspection, making him a central figure in 20th-century surrealism.
I have always wanted my colours to sing.
- Paul Delvaux
Surrealist painter Paul Delvaux was born in Belgium in 1897. His love for art began as a child after he read classic works like Homer. These stories inspired Delvaux to create sketches depicting mythological scenes. Delvaux was accepted into and studied at the Belgian Royal Academy of Arts in Brussels. Fearing a career as an artist would not be a suitable profession for their son, Delvaux's parents encouraged him to study architecture. Delvaux, however, defied their wishes, enrolled in several art classes and began to hone his creative skills. Early in Delvaux's career, he painted naturalistic landscapes, which sometimes also included nude people. However, as time progressed, his work took on a much more sensual overtone and would often feature naked women in seemingly trance-like states wandering through establishments like train stations and buildings. Some of Delvaux's most famous paintings include 'The Hands," completed in 1941, 'Venus Asleep,' completed in 1944 and 'The Great Sirens,' completed in 1947. Delvaux was heavily influenced by painters Rene Margritte, Giorgio de Chirico, Constant Permeke and Gustave de Smet. Though not considered as famous as Surrealist painters like Salvador Dali, Delvaux is thought of as a key contributor to the modern art movement of the mid-twentieth century. Paul Delvaux died in 1994 at age 96. A museum celebrating his work and legacy is located in Sint-Idesbald, Belgium. (Artist website)
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.