This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in. (83.8 x 106.7 cm.)
Just Because I by Ross Bleckner, created in 1997, is a 17-color screen print that draws viewers into a moody, introspective space through its layered abstract forms and subdued color palette. The composition consists of overlapping circular shapes in dark browns, greys, and muted yellows, with some forms outlined in white or faintly transparent, creating a sense of depth and fluidity. The circular forms, some with voids or central black dots, evoke organic imagery, such as eyes or cellular structures, adding a layer of mystery and contemplation. The subtle color contrasts and diffused edges contribute to a dreamlike quality, characteristic of Bleckner's exploration of memory and perception. This limited edition print, signed and numbered by the artist, measures 33 x 42 inches and is part of an edition of 75.
Ross Bleckner (USA, 1949) is a contemporary painter celebrated for his ethereal, meditative works exploring memory, loss, and transcendence. Known for his use of light, blurred imagery, and recurring motifs like flowers and chandeliers, his art often bridges abstraction and representation. Bleckner's work reflects deep emotional resonance, with themes of mortality and healing.
ScreenprintScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
This 17-color screenprint was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75 measuring 33 x 42 in. (83.8 x 106.7 cm.)
Just Because I by Ross Bleckner, created in 1997, is a 17-color screen print that draws viewers into a moody, introspective space through its layered abstract forms and subdued color palette. The composition consists of overlapping circular shapes in dark browns, greys, and muted yellows, with some forms outlined in white or faintly transparent, creating a sense of depth and fluidity. The circular forms, some with voids or central black dots, evoke organic imagery, such as eyes or cellular structures, adding a layer of mystery and contemplation. The subtle color contrasts and diffused edges contribute to a dreamlike quality, characteristic of Bleckner's exploration of memory and perception. This limited edition print, signed and numbered by the artist, measures 33 x 42 inches and is part of an edition of 75.
Ross Bleckner (USA, 1949) is a contemporary painter celebrated for his ethereal, meditative works exploring memory, loss, and transcendence. Known for his use of light, blurred imagery, and recurring motifs like flowers and chandeliers, his art often bridges abstraction and representation. Bleckner's work reflects deep emotional resonance, with themes of mortality and healing.
I see my studio like a laboratory, where I work like an investigator - it's almost forensic. I love the discovery process in painting.
- Ross Bleckner
Known for his large-scale, evocative and immersive paintings, Ross Bleckner is an artist whose work blends abstraction and recognisable motifs to create a final result that analyses the notions of transcendence and perception. Central to a lot of Bleckner’s work was human disease, notably AIDS – such paintings as 8,122+ are so titled to reflect the number of people who had died of AIDS up until that point in history. His Cell paintings are another series that highlights the condition of the diseased human body – the series of paintings was comprised of several volumetric, multi-coloured circles or ‘cells’ against a dark, gray background; the final result looked like molecules or droplet of bloods viewed under the microscope. Although Bleckner’s work focuses on disease and ultimately death, he has stated that he does no find it to be morbid, but more of a study on life and the ups and downs of death - “we’re born, we live, we die.” (Artist website)
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.