Archival pigment print - Hand-signed in pencil, and numbered
Ross Bleckner's Light Flower (2019) is a limited edition archival pigment print, measuring 76 x 76 cm. The piece, hand-signed and numbered by the artist, presents a delicate and ethereal depiction of flowers rendered in soft, blurred forms. The composition features various flowers in muted tones of white, pink, and red, set against a light gray background. The softness of the petals and the diffused outlines evoke a dreamlike, almost impressionistic atmosphere, inviting the viewer to experience the fleeting nature of beauty. Bleckner’s use of gentle gradients and a muted palette enhances the sense of fragility and transience that is central to his floral works.
Ross Bleckner (USA, 1949) is a contemporary painter celebrated for his ethereal, meditative works exploring memory, loss, and transcendence. Known for his use of light, blurred imagery, and recurring motifs like flowers and chandeliers, his art often bridges abstraction and representation. Bleckner's work reflects deep emotional resonance, with themes of mortality and healing.
Archival PrintAn archival print refers to a fine art reproduction of museum quality, created using the highest quality materials and methods. These prints are produced on the finest papers and with inks specifically designed to resist color fading over time. Drawings and paintings are reproduced using a fine art printer with exceptionally high resolution, ensuring longevity and preservation of the artwork.
Archival pigment print - Hand-signed in pencil, and numbered
Ross Bleckner's Light Flower (2019) is a limited edition archival pigment print, measuring 76 x 76 cm. The piece, hand-signed and numbered by the artist, presents a delicate and ethereal depiction of flowers rendered in soft, blurred forms. The composition features various flowers in muted tones of white, pink, and red, set against a light gray background. The softness of the petals and the diffused outlines evoke a dreamlike, almost impressionistic atmosphere, inviting the viewer to experience the fleeting nature of beauty. Bleckner’s use of gentle gradients and a muted palette enhances the sense of fragility and transience that is central to his floral works.
Ross Bleckner (USA, 1949) is a contemporary painter celebrated for his ethereal, meditative works exploring memory, loss, and transcendence. Known for his use of light, blurred imagery, and recurring motifs like flowers and chandeliers, his art often bridges abstraction and representation. Bleckner's work reflects deep emotional resonance, with themes of mortality and healing.
I see my studio like a laboratory, where I work like an investigator - it's almost forensic. I love the discovery process in painting.
- Ross Bleckner
Known for his large-scale, evocative and immersive paintings, Ross Bleckner is an artist whose work blends abstraction and recognisable motifs to create a final result that analyses the notions of transcendence and perception. Central to a lot of Bleckner’s work was human disease, notably AIDS – such paintings as 8,122+ are so titled to reflect the number of people who had died of AIDS up until that point in history. His Cell paintings are another series that highlights the condition of the diseased human body – the series of paintings was comprised of several volumetric, multi-coloured circles or ‘cells’ against a dark, gray background; the final result looked like molecules or droplet of bloods viewed under the microscope. Although Bleckner’s work focuses on disease and ultimately death, he has stated that he does no find it to be morbid, but more of a study on life and the ups and downs of death - “we’re born, we live, we die.” (Artist website)
Known as Neo-Geo for short, this movement uses geometric objects and shapes to create abstract artwork as a metaphor for society. Inspired by various 20th-century art styles, including minimalism and pop art, Neo-Geo emerged in the 1980s as a response to the industrialization and commercialization of the modern world. The movement reflects on the impact of mass production, consumerism, and technology, often critiquing the superficiality of contemporary culture through its abstract, geometric compositions.