Aquatint with sugarlift, spitbite and hard-ground etching. Somerset Textured White 300 gsm paper. Image dimensions: 61 × 46 cm. Sheet dimensions: 86 × 71 cm. Initialed, dated, and numbered in pencil.
Liliane 7 presents a sombre yet richly textured diptych in which a dark grey-black horizontal band with a white edge occupies the upper field on black, while warm red horizontal stripes animate the lower register on grey. The restraint of the upper section amplifies the sudden warmth below, creating a dramatic chromatic shift within Scully's characteristic stacked composition. Printed in aquatint with sugarlift and hard-ground etching on Somerset paper, this 2010 work from an edition of 40 demonstrates the artist's mastery of chromatic tension, each colour boundary vibrating with emotional weight and painterly conviction.
Sean Scully (Ireland, 1945) is a contemporary artist renowned for his abstract paintings characterized by bold stripes and geometric forms. His work bridges Minimalism and Emotional Abstraction, emphasizing color and texture. Scully's art is featured in major institutions like MoMA and Tate Modern, reflecting his significant influence on modern abstraction.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Aquatint with sugarlift, spitbite and hard-ground etching. Somerset Textured White 300 gsm paper. Image dimensions: 61 × 46 cm. Sheet dimensions: 86 × 71 cm. Initialed, dated, and numbered in pencil.
Liliane 7 presents a sombre yet richly textured diptych in which a dark grey-black horizontal band with a white edge occupies the upper field on black, while warm red horizontal stripes animate the lower register on grey. The restraint of the upper section amplifies the sudden warmth below, creating a dramatic chromatic shift within Scully's characteristic stacked composition. Printed in aquatint with sugarlift and hard-ground etching on Somerset paper, this 2010 work from an edition of 40 demonstrates the artist's mastery of chromatic tension, each colour boundary vibrating with emotional weight and painterly conviction.
Sean Scully (Ireland, 1945) is a contemporary artist renowned for his abstract paintings characterized by bold stripes and geometric forms. His work bridges Minimalism and Emotional Abstraction, emphasizing color and texture. Scully's art is featured in major institutions like MoMA and Tate Modern, reflecting his significant influence on modern abstraction.
When I got into art school, I thought it was paradise.
- Sean Scully
Widely acclaimed for his abstract oil paintings, Sean Scully is an artist whose works often combine geometric structures with contrasting soft edges and thick uneven surfaces to form alternating panels of coloured squares or stripes – such works as Green Ascending and Rouge perfectly exemplify his trademark style of painting. Although his abstract works appear to have no specific reference, Scully’s previous employment as a typesetter had a great bearing on his later artistic outputs, and of his Land Sea exhibition, Scully noted that his experience of visiting Venice was a major influence as he sought to recreate ‘the movement of the water, how it heaves against the brick and stone of the city’; the artist also noted that his earliest memory of art is of a series of devotional paintings on show at a local Catholic church where he grew up, commenting that they were ‘very geometric, like Russian paintings.’ (Artist website)
Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.