Aquatint with sugarlift, spitbite and hard-ground etching. Somerset Textured White 300 gsm paper. Image dimensions: 61 × 46 cm. Sheet dimensions: 86 × 71 cm. Initialed, dated, and numbered in pencil.
Liliane 3 delivers the most vivid chromatic contrast of the series, setting pale blue horizontal lines on a black field above against vibrant red and white vertical stripes on grey below. The interplay between the contemplative upper register and the assertive lower panel creates an electrifying visual dialogue that pulses with physical energy. Scully's command of aquatint, sugarlift, and hard-ground etching on Somerset paper produces a rich surface that oscillates between painterly gesture and graphic precision. From an edition of 40, this 2010 diptych represents the expressive high point of a suite dedicated to Scully's muse and life companion.
Sean Scully (Ireland, 1945) is a contemporary artist renowned for his abstract paintings characterized by bold stripes and geometric forms. His work bridges Minimalism and Emotional Abstraction, emphasizing color and texture. Scully's art is featured in major institutions like MoMA and Tate Modern, reflecting his significant influence on modern abstraction.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Aquatint with sugarlift, spitbite and hard-ground etching. Somerset Textured White 300 gsm paper. Image dimensions: 61 × 46 cm. Sheet dimensions: 86 × 71 cm. Initialed, dated, and numbered in pencil.
Liliane 3 delivers the most vivid chromatic contrast of the series, setting pale blue horizontal lines on a black field above against vibrant red and white vertical stripes on grey below. The interplay between the contemplative upper register and the assertive lower panel creates an electrifying visual dialogue that pulses with physical energy. Scully's command of aquatint, sugarlift, and hard-ground etching on Somerset paper produces a rich surface that oscillates between painterly gesture and graphic precision. From an edition of 40, this 2010 diptych represents the expressive high point of a suite dedicated to Scully's muse and life companion.
Sean Scully (Ireland, 1945) is a contemporary artist renowned for his abstract paintings characterized by bold stripes and geometric forms. His work bridges Minimalism and Emotional Abstraction, emphasizing color and texture. Scully's art is featured in major institutions like MoMA and Tate Modern, reflecting his significant influence on modern abstraction.
When I got into art school, I thought it was paradise.
- Sean Scully
Widely acclaimed for his abstract oil paintings, Sean Scully is an artist whose works often combine geometric structures with contrasting soft edges and thick uneven surfaces to form alternating panels of coloured squares or stripes – such works as Green Ascending and Rouge perfectly exemplify his trademark style of painting. Although his abstract works appear to have no specific reference, Scully’s previous employment as a typesetter had a great bearing on his later artistic outputs, and of his Land Sea exhibition, Scully noted that his experience of visiting Venice was a major influence as he sought to recreate ‘the movement of the water, how it heaves against the brick and stone of the city’; the artist also noted that his earliest memory of art is of a series of devotional paintings on show at a local Catholic church where he grew up, commenting that they were ‘very geometric, like Russian paintings.’ (Artist website)
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.