Plexiglass box and printed matter on different layers
- Signed by the artist at the back
Alberto Biasi's Red Rain is a striking mixed media sculpture created in 2022. Encased within a Plexiglass box, the piece features printed matter arranged in multiple layers, creating a dynamic, three-dimensional effect. The use of overlapping elements and the Plexiglass structure gives the illusion of movement, as if the rain is in motion. The predominant red hue draws the eye, generating a sense of intensity and vibrancy, while the transparent casing adds a sleek, modern feel. The artist's signature at the back authenticates the work, limited to an edition of 20, demonstrating Biasi's exploration of visual perception and kinetic art.
Alberto Biasi (Italy, 1937) is an Italian artist and a leading figure in the Kinetic and Optical Art movements. As a co-founder of Gruppo N in 1960, he explored visual perception through dynamic works that engage viewers in interactive experiences. Biasi's art is featured in major institutions, including the Museum of Modern Art in New York and the Centre Pompidou in Paris.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Plexiglass box and printed matter on different layers
- Signed by the artist at the back
Alberto Biasi's Red Rain is a striking mixed media sculpture created in 2022. Encased within a Plexiglass box, the piece features printed matter arranged in multiple layers, creating a dynamic, three-dimensional effect. The use of overlapping elements and the Plexiglass structure gives the illusion of movement, as if the rain is in motion. The predominant red hue draws the eye, generating a sense of intensity and vibrancy, while the transparent casing adds a sleek, modern feel. The artist's signature at the back authenticates the work, limited to an edition of 20, demonstrating Biasi's exploration of visual perception and kinetic art.
Alberto Biasi (Italy, 1937) is an Italian artist and a leading figure in the Kinetic and Optical Art movements. As a co-founder of Gruppo N in 1960, he explored visual perception through dynamic works that engage viewers in interactive experiences. Biasi's art is featured in major institutions, including the Museum of Modern Art in New York and the Centre Pompidou in Paris.
A lot of inspiration I got from Dadaism because of the dynamism in texts, movies, and the movement itself.
- Alberto Biasi
Alberto Biasi (b. 1937, Italy) is an Italian artist and a pioneering figure in the Kinetic Artmovement, a branch of Op Art that emerged in the mid-twentieth century. Biasi was instrumental in blending traditional and non-traditional materials to create vibrant, geometric, and multi-dimensional artworks that challenge the viewer’s perception. His optically dynamic pieces, often using materials like PVC strips, engage the viewer in a unique way, inviting them to interact with the artwork and create their own interpretation. In the 1960s, Biasi co-founded the "Gruppa Enne" art movement in Italy, which paralleled other movements like America's "Anonima Group" and Germany's "Zero Group." These movements focused on retinal art and optical principles that came alive for each viewer, moving beyond flat, still, or sculptural elements. Biasi’s work remains significant over his half-century career, with his "Unlimited Perception" series spanning from the 1970s to the present. His works are showcased in prestigious institutions such as MACBA in Buenos Aires, The Peggy Guggenheim Collection in Venice and Museo El Barrio in New York. Biasi continues to be celebrated for his contributions to Kinetic Op Art, offering viewers a complex and modern way to experience art.(Artist website)
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.