Steel sculpture on plexi foot - Handsigned and numbered at the back by the artist.
Jazz by Geneviève Claisse is a 1966 mixed-media sculpture that features bold, angular black steel shapes arranged dynamically on a white background, resting on a plexiglass base. The interplay of sharp, fragmented triangular forms suggests a rhythm and energy reminiscent of jazz music, embodying a visual sense of improvisation and movement. Claisse’s arrangement of shapes demonstrates her commitment to geometric abstraction, with each element carefully positioned to create a sense of balance and tension. This hand-signed and numbered edition encapsulates Claisse's minimalist approach, inviting viewers to explore the balance between form, space, and negative space within a restrained monochromatic palette.
Geneviève Claisse (France, 1935–2018) was a prominent geometric abstract painter. Influenced by her great-uncle, Auguste Herbin, she developed a style characterized by pure forms and vibrant colors. Claisse's work is celebrated for its formal purity and meticulous execution, contributing significantly to the geometric abstraction movement.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Size
Inches
Centimeters
47 X 40 X 10 cm
Edition
Edition of 8 + II
Price
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CHF
2,500EUR
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+ VAT/import Duties (if applicable)
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Steel sculpture on plexi foot - Handsigned and numbered at the back by the artist.
Jazz by Geneviève Claisse is a 1966 mixed-media sculpture that features bold, angular black steel shapes arranged dynamically on a white background, resting on a plexiglass base. The interplay of sharp, fragmented triangular forms suggests a rhythm and energy reminiscent of jazz music, embodying a visual sense of improvisation and movement. Claisse’s arrangement of shapes demonstrates her commitment to geometric abstraction, with each element carefully positioned to create a sense of balance and tension. This hand-signed and numbered edition encapsulates Claisse's minimalist approach, inviting viewers to explore the balance between form, space, and negative space within a restrained monochromatic palette.
Geneviève Claisse (France, 1935–2018) was a prominent geometric abstract painter. Influenced by her great-uncle, Auguste Herbin, she developed a style characterized by pure forms and vibrant colors. Claisse's work is celebrated for its formal purity and meticulous execution, contributing significantly to the geometric abstraction movement.
There is a deep investigation around each piece. I always paint from real models.
- Geneviève Claisse
Geneviève Claisse (b. 1935 France, d. 2018 France) was a prominent French artist known for her contributions to geometric abstraction. A student and niece of the painter Auguste Herbin, Claisse quickly established herself as a leading figure in the post-war abstract art scene. Her work is characterized by its precision, clarity, and the use of vibrant colors and clean geometric shapes. Claisse's compositions often explore the interplay between form and space, creating a sense of movement and rhythm through meticulously balanced arrangements. Her dedication to the principles of abstraction and her ability to infuse her work with both dynamism and harmony have made her one of the key figures in 20th-century French abstract art.
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.