Published by Hermit Press, Düsseldorf.
Special edition to accompany the book "Sarajevo 96" from 2001.
Sarajewo 17 (2005) by Günther Uecker is a haunting and visceral screenprint that forms part of a special limited edition accompanying the book Sarajevo 96. Created in the aftermath of the Bosnian War, Uecker’s work here is an abstract meditation on destruction, trauma, and memory. Rendered in stark black strokes on a pale background, the composition consists of a dense accumulation of gestural marks, suggesting shattered forms or strewn debris. The dark, jagged elements overlap in chaotic directions, evoking the violence of conflict and the emotional residue of devastation. While Uecker is renowned for his tactile nail works, this print achieves a similarly intense physicality through two-dimensional mark-making. The expressive energy conveys a sense of urgency and anguish, yet also acts as a quiet tribute to resilience. Published by Hermit Press in Düsseldorf in an edition of 60, each print is hand-signed and numbered, serving as both artwork and a memorial to Sarajevo’s pain and endurance.
Gunther Uecker (Germany, 1930) is a key figure in the ZERO movement. Known for his nail-covered sculptures and reliefs, he explores light, shadow, and texture in dynamic ways. His works, often interactive, reflect themes of nature, rhythm, and spirituality, making him one of Germany’s most innovative postwar artists.
Screen-print Screen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Published by Hermit Press, Düsseldorf.
Special edition to accompany the book "Sarajevo 96" from 2001.
Sarajewo 17 (2005) by Günther Uecker is a haunting and visceral screenprint that forms part of a special limited edition accompanying the book Sarajevo 96. Created in the aftermath of the Bosnian War, Uecker’s work here is an abstract meditation on destruction, trauma, and memory. Rendered in stark black strokes on a pale background, the composition consists of a dense accumulation of gestural marks, suggesting shattered forms or strewn debris. The dark, jagged elements overlap in chaotic directions, evoking the violence of conflict and the emotional residue of devastation. While Uecker is renowned for his tactile nail works, this print achieves a similarly intense physicality through two-dimensional mark-making. The expressive energy conveys a sense of urgency and anguish, yet also acts as a quiet tribute to resilience. Published by Hermit Press in Düsseldorf in an edition of 60, each print is hand-signed and numbered, serving as both artwork and a memorial to Sarajevo’s pain and endurance.
Gunther Uecker (Germany, 1930) is a key figure in the ZERO movement. Known for his nail-covered sculptures and reliefs, he explores light, shadow, and texture in dynamic ways. His works, often interactive, reflect themes of nature, rhythm, and spirituality, making him one of Germany’s most innovative postwar artists.
It’s about…creating… an instrument with which we can eat art.
- Gunther Uecker
Gunther Uecker (b. 1930, Germany) is a German artist renowned for his innovative contributions to kinetic art and Op art. He is best known as a key member of the ZERO group, a collective of artists who sought to redefine art in the aftermath of World War II. Uecker's work is characterized by his use of nails as a primary medium, creating dynamic, textured surfaces that interact with light and shadow. These nail-reliefs are both tactile and visually striking, embodying a sense of movement and energy. His explorations of light, shadow, and surface texture have made him a significant figure in post-war European art. Uecker's work has been exhibited in major museums around the world, including the Solomon R. Guggenheim Museum in New York and the Centre Pompidou in Paris.
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.