12 Multiples Terragraphs on canvas mounted on wood in a limited edition of 36 hand signed & numbered
Ouroboros #7 by Günther Uecker is a limited-edition terragraph created in 2018, consisting of sand applied on canvas and mounted on wood. This work is part of a series of 36 hand-signed and numbered pieces. The composition features swirling, circular patterns that evoke the ancient symbol of the ouroboros—a snake eating its own tail, representing the cyclical nature of existence and infinity. Uecker’s use of sand creates a tactile, earthy texture, drawing attention to the materiality of the piece. The circular, rhythmic strokes seem to spiral inward, inviting contemplation on themes of continuity, renewal, and the passage of time.
Gunther Uecker (Germany, 1930) is a key figure in the ZERO movement. Known for his nail-covered sculptures and reliefs, he explores light, shadow, and texture in dynamic ways. His works, often interactive, reflect themes of nature, rhythm, and spirituality, making him one of Germany’s most innovative postwar artists.
SandSand consists of loose grains of material primarily made up of minerals like quartz, mica, and feldspar, as well as small fragments of rocks. Sand paintings are created by pouring colored sand into intricate designs, often for cultural rituals or special celebrations. These designs can take many days to complete and are traditionally brushed away after the ceremony, emphasizing the impermanence of the artwork.
12 Multiples Terragraphs on canvas mounted on wood in a limited edition of 36 hand signed & numbered
Ouroboros #7 by Günther Uecker is a limited-edition terragraph created in 2018, consisting of sand applied on canvas and mounted on wood. This work is part of a series of 36 hand-signed and numbered pieces. The composition features swirling, circular patterns that evoke the ancient symbol of the ouroboros—a snake eating its own tail, representing the cyclical nature of existence and infinity. Uecker’s use of sand creates a tactile, earthy texture, drawing attention to the materiality of the piece. The circular, rhythmic strokes seem to spiral inward, inviting contemplation on themes of continuity, renewal, and the passage of time.
Gunther Uecker (Germany, 1930) is a key figure in the ZERO movement. Known for his nail-covered sculptures and reliefs, he explores light, shadow, and texture in dynamic ways. His works, often interactive, reflect themes of nature, rhythm, and spirituality, making him one of Germany’s most innovative postwar artists.
It’s about…creating… an instrument with which we can eat art.
- Gunther Uecker
Gunther Uecker (b. 1930, Germany) is a German artist renowned for his innovative contributions to kinetic art and Op art. He is best known as a key member of the ZERO group, a collective of artists who sought to redefine art in the aftermath of World War II. Uecker's work is characterized by his use of nails as a primary medium, creating dynamic, textured surfaces that interact with light and shadow. These nail-reliefs are both tactile and visually striking, embodying a sense of movement and energy. His explorations of light, shadow, and surface texture have made him a significant figure in post-war European art. Uecker's work has been exhibited in major museums around the world, including the Solomon R. Guggenheim Museum in New York and the Centre Pompidou in Paris.
Also referred to as Earth Art, Earthworks, or Environmental Art, Land Art is a sculptural movement that involves creating artworks that integrate conceptual or physical elements of the earth or landscape into the finished piece. These works often interact directly with the environment, using natural materials and settings to explore themes related to nature, place, and time