12 Multiples Terragraphs (with sand) on canvas mounted on wood in a limited edition of 36 hand signed & numbered
Ouroboros #9 by Günther Uecker is a limited edition terragraph print from 2018, crafted with sand on canvas mounted on wood. This work is part of a series of 36 unique pieces, each hand-signed and numbered. The composition presents an abstract circular pattern, with earthy sand textures creating an impression of organic, fragmented markings. The delicate interplay of texture and shape evokes natural forms, perhaps referencing cycles of life and renewal, a recurring theme in Uecker's work. The title Ouroboros suggests an infinite loop, symbolizing continuity and the perpetual nature of existence.
Gunther Uecker (Germany, 1930) is a key figure in the ZERO movement. Known for his nail-covered sculptures and reliefs, he explores light, shadow, and texture in dynamic ways. His works, often interactive, reflect themes of nature, rhythm, and spirituality, making him one of Germany’s most innovative postwar artists.
SandSand consists of loose grains of material primarily made up of minerals like quartz, mica, and feldspar, as well as small fragments of rocks. Sand paintings are created by pouring colored sand into intricate designs, often for cultural rituals or special celebrations. These designs can take many days to complete and are traditionally brushed away after the ceremony, emphasizing the impermanence of the artwork.
12 Multiples Terragraphs (with sand) on canvas mounted on wood in a limited edition of 36 hand signed & numbered
Ouroboros #9 by Günther Uecker is a limited edition terragraph print from 2018, crafted with sand on canvas mounted on wood. This work is part of a series of 36 unique pieces, each hand-signed and numbered. The composition presents an abstract circular pattern, with earthy sand textures creating an impression of organic, fragmented markings. The delicate interplay of texture and shape evokes natural forms, perhaps referencing cycles of life and renewal, a recurring theme in Uecker's work. The title Ouroboros suggests an infinite loop, symbolizing continuity and the perpetual nature of existence.
Gunther Uecker (Germany, 1930) is a key figure in the ZERO movement. Known for his nail-covered sculptures and reliefs, he explores light, shadow, and texture in dynamic ways. His works, often interactive, reflect themes of nature, rhythm, and spirituality, making him one of Germany’s most innovative postwar artists.
It’s about…creating… an instrument with which we can eat art.
- Gunther Uecker
Gunther Uecker (b. 1930, Germany) is a German artist renowned for his innovative contributions to kinetic art and Op art. He is best known as a key member of the ZERO group, a collective of artists who sought to redefine art in the aftermath of World War II. Uecker's work is characterized by his use of nails as a primary medium, creating dynamic, textured surfaces that interact with light and shadow. These nail-reliefs are both tactile and visually striking, embodying a sense of movement and energy. His explorations of light, shadow, and surface texture have made him a significant figure in post-war European art. Uecker's work has been exhibited in major museums around the world, including the Solomon R. Guggenheim Museum in New York and the Centre Pompidou in Paris.
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.