// A Table in Two Dimension by Wang Huai-Qing is a limited edition etching from 2008, with an edition size of 60. This vertical composition features bold, black linear forms representing two table-like structures stacked diagonally, creating a visual effect of dimensional layering. The tables are rendered in a minimalistic and elongated style against a textured, earthy brown background, which adds depth and contrast. The work evokes a sense of perspective and spatial ambiguity, as the overlapping tables appear simultaneously flat and three-dimensional. Wang’s abstract representation reflects his exploration of traditional Chinese furniture in a modern, conceptual framework, challenging viewers to perceive familiar forms in new, layered ways.
Wang Huai-Qing (China, 1944) is a contemporary artist celebrated for blending traditional Chinese calligraphy with modern abstraction. His bold, minimalist compositions often deconstruct classical motifs, creating a dialogue between heritage and innovation. Using ink and oil, Wang reimagines Chinese visual culture in a global context.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Size
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Centimeters
107 X 43.5 cm
Edition
Edition of 60
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4,000EUR
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// A Table in Two Dimension by Wang Huai-Qing is a limited edition etching from 2008, with an edition size of 60. This vertical composition features bold, black linear forms representing two table-like structures stacked diagonally, creating a visual effect of dimensional layering. The tables are rendered in a minimalistic and elongated style against a textured, earthy brown background, which adds depth and contrast. The work evokes a sense of perspective and spatial ambiguity, as the overlapping tables appear simultaneously flat and three-dimensional. Wang’s abstract representation reflects his exploration of traditional Chinese furniture in a modern, conceptual framework, challenging viewers to perceive familiar forms in new, layered ways.
Wang Huai-Qing (China, 1944) is a contemporary artist celebrated for blending traditional Chinese calligraphy with modern abstraction. His bold, minimalist compositions often deconstruct classical motifs, creating a dialogue between heritage and innovation. Using ink and oil, Wang reimagines Chinese visual culture in a global context.
Huai-Qing Wang (b. 1944, China) is a Chinese artist renowned for his unique approach to contemporary Chinese painting, blending traditional techniques with modern abstract forms. His work often explores the tension between the ancient and the modern, the East and the West, using a minimalist palette of ink and color on paper to create powerful, contemplative compositions. Wang's art is deeply influenced by Chinese philosophy and calligraphy, as well as Western modernist movements, resulting in a style that is both introspective and universal. His abstract landscapes and figures, often rendered in a gestural, almost calligraphic manner, evoke a sense of spiritual depth and harmony. Wang's work has been widely exhibited in China and internationally, establishing him as a significant figure in the global contemporary art scene.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.