Signed, dated and numbered in pencil.
Accompanied by the original Gemini G.E.L. print documentation, signed by the artist and the printer, Kenneth Tyler.
Published by Gemini G.E.L., Los Angeles
Jasper Johns’s Figure 7, Black Numerals Series is a 1968 lithograph that exemplifies his engagement with symbols and layered imagery. Centered around the numeral “7,” the composition incorporates a fragmented image of Leonardo da Vinci’s Mona Lisa, partially obscured by gestural black marks, drips, and sweeping forms. The interplay between recognizable imagery and abstraction reflects Johns’s interest in perception and meaning, challenging how viewers interpret familiar signs. Produced at Gemini G.E.L. and accompanied by documentation signed by both the artist and master printer Kenneth Tyler, this edition of 70 highlights Johns’s pivotal role in postwar American printmaking.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Signed, dated and numbered in pencil.
Accompanied by the original Gemini G.E.L. print documentation, signed by the artist and the printer, Kenneth Tyler.
Published by Gemini G.E.L., Los Angeles
Jasper Johns’s Figure 7, Black Numerals Series is a 1968 lithograph that exemplifies his engagement with symbols and layered imagery. Centered around the numeral “7,” the composition incorporates a fragmented image of Leonardo da Vinci’s Mona Lisa, partially obscured by gestural black marks, drips, and sweeping forms. The interplay between recognizable imagery and abstraction reflects Johns’s interest in perception and meaning, challenging how viewers interpret familiar signs. Produced at Gemini G.E.L. and accompanied by documentation signed by both the artist and master printer Kenneth Tyler, this edition of 70 highlights Johns’s pivotal role in postwar American printmaking.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.