From the portfolio: Fragment - According to What,1971 (ULAE 95; G. 289) - Published by Gemini G.E.L. Los Angeles
Bent Stencil by Jasper Johns, part of the Fragment - According to What portfolio from 1971, is a limited edition lithograph published by Gemini G.E.L. in Los Angeles. Measuring 27.5 x 20 cm, the piece displays Johns' characteristic exploration of form, texture, and monochromatic palette. The composition features overlapping geometric shapes, primarily circles and stencils, rendered in shades of grey and white. The textured lower portion contrasts with the clean, crisp shapes above, evoking a sense of balance and fragmentation. The work reflects Johns' interest in perception, abstraction, and the interplay between art and everyday symbols, challenging viewers to engage with its subtle complexity.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
From the portfolio: Fragment - According to What,1971 (ULAE 95; G. 289) - Published by Gemini G.E.L. Los Angeles
Bent Stencil by Jasper Johns, part of the Fragment - According to What portfolio from 1971, is a limited edition lithograph published by Gemini G.E.L. in Los Angeles. Measuring 27.5 x 20 cm, the piece displays Johns' characteristic exploration of form, texture, and monochromatic palette. The composition features overlapping geometric shapes, primarily circles and stencils, rendered in shades of grey and white. The textured lower portion contrasts with the clean, crisp shapes above, evoking a sense of balance and fragmentation. The work reflects Johns' interest in perception, abstraction, and the interplay between art and everyday symbols, challenging viewers to engage with its subtle complexity.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Neo-Dada is a minor visual and audio art movement with intents similar to those of Dada artwork. While it revives some of Dada's objectives, Neo-Dada emphasizes the importance of the produced artwork rather than the concept behind it. The movement is considered the foundation of Pop Art, Nouveau Réalisme, and Fluxus. Neo-Dada is known for its use of absurdist contrasts, popular imagery, and modern materials, blending high and low culture in a way that challenges traditional artistic conventions.