Edition of 70 - Lithograph, on J. Whatman paper, with full margins - In mint condition
Jasper Johns' Ventriloquist, created in 1990, is a lithograph featuring his characteristic use of everyday objects and symbols arranged in a grid-like composition. In this piece, various tools and objects—such as pots, a serrated blade, and cylindrical containers—are depicted in bold, gestural lines against a textured background, reminiscent of wood grain. This central composition is bordered by a pattern of stars and stripes, invoking elements of American iconography while retaining an ambiguous, layered meaning. Part of an edition of 70, this print on J. Whatman paper exemplifies Johns' interest in exploring symbols and everyday items through an abstract, almost surreal lens, encouraging viewers to contemplate the relationship between familiar forms and personal interpretation.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
Lithograph Lithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Edition of 70 - Lithograph, on J. Whatman paper, with full margins - In mint condition
Jasper Johns' Ventriloquist, created in 1990, is a lithograph featuring his characteristic use of everyday objects and symbols arranged in a grid-like composition. In this piece, various tools and objects—such as pots, a serrated blade, and cylindrical containers—are depicted in bold, gestural lines against a textured background, reminiscent of wood grain. This central composition is bordered by a pattern of stars and stripes, invoking elements of American iconography while retaining an ambiguous, layered meaning. Part of an edition of 70, this print on J. Whatman paper exemplifies Johns' interest in exploring symbols and everyday items through an abstract, almost surreal lens, encouraging viewers to contemplate the relationship between familiar forms and personal interpretation.
Jasper Johns (United States, 1930) is an iconic American artist and key figure in the development of Abstract Expressionism and Pop Art. Best known for his 'Flag' series, Johns blends everyday imagery with innovative techniques like encaustic painting. His works challenge the boundaries of representation, influencing generations of contemporary artists.
I think a painting should include more experience than simply intended statement.
- Jasper Johns
With works that encompass the styles of Pop Art, Abstract Expressionism and Neo-Dada, Jasper Johns is an acclaimed painter, printmaker and sculptor, perhaps most notable for his use of lush colour, iconography and artistic references to America. Flag is arguably his most successful work – a painting of the American flag comprised of encaustic oil, paper and fabric; Johns has previously stated that he was always drawn to painting ‘things the mind already knows’ and in using an already recognisable image, he was able to concentrate wholly on the execution of the final product. Johns has also worked extensively with sculptures; Fragment of a Letter is a double-sided relief in which Johns incorporates a letter written by Vincent Van Gogh – using blocks of type, Johns pressed Van Gogh’s words into wax and on the reverse side of the work, he spelled out the letter in the American Sign Language alphabet using self-created stamps. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.